Stand Up (from Harriet) (arr. Mac Huff) Sheet Music Preview

Stand Up (from Harriet) (arr. Mac Huff): SSA Choral Octavo

As performed by Cynthia Erivo / Arranged by Mac Huff

Item: 35-DS00458955

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Additional Details
Publisher: Hal Leonard
Page Count: 17
SKU: 35-DS00458955

More about this title

About the Artist: Cynthia Erivo

Cynthia Erivo is a British-Jamaican actress, singer, and songwriter whose voice carries remarkable power and emotional depth. She rose to international prominence through her Tony Award-winning performance as Celie in The Color Purple on Broadway, and has since become known for her ability to infuse contemporary music with gospel roots and raw vulnerability. Her work in film soundtracks, particularly her role originating the anthem 'Stand Up' for the Harriet film, demonstrates her skill at translating character and conviction into vocal performance.

Why we love this

Mac Huff's arrangement captures the defiant spirit of Erivo's original performance while making it accessible for SSA voicing. The piece functions as both a powerful concert moment and a statement about courage and resistance, giving your singers substantive emotional and thematic material to invest in rather than surface-level showiness.

What to expect

The music radiates quiet determination building into unshakeable conviction. Minor tonality and syncopated rhythms give it an edge that never tips into aggression, instead channeling resolve and hope through vocal harmony.

Who it's for

This arrangement works for advanced high school choirs, collegiate ensembles, and community choirs ready to tackle gospel-inflected contemporary material. It suits singers who can handle rhythmic independence and aren't intimidated by themes of social justice and personal agency in concert programming.

How to get the most out of it

  • Establish the rhythmic pocket early in rehearsal. The groove carries the message, so lock the ensemble into a unified pulse before layering dynamics or expression.
  • Treat the text as primary. Every phrase has weight and conviction built into it. Singers should understand what they're defending or standing up for, not just hitting notes accurately.
  • Balance power with control in the upper voices. SSA arrangements of gospel-influenced pieces often ask sopranos to sing high and loud simultaneously; work for brilliance without tension or strain.
  • Use dynamics to build momentum rather than maintain a single volume level. The song demands growth, so plan where the ensemble peaks and where it pulls back for impact.

How to use it

This piece commands a spot on a concert where you're programming music with substance and purpose. Pair it with other contemporary works or spirituals to build a set about resistance and resilience, or use it as a standalone moment that shifts the emotional temperature of your evening and leaves the audience sitting with something to contemplate.

Skills your students will build

  • Gospel-inflected rhythmic phrasing and syncopation
  • Sustaining legit sound while navigating rhythmic complexity
  • Interpreting text for emotional authenticity and conviction
  • Ensemble balance in SSA voicing when upper voices carry the melody
  • Dynamics and phrasing as tools for building narrative momentum

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