St. Anthony Chorale Cover Image

St. Anthony Chorale: Brass Choir Score & Parts

$25.00 USD
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St. Anthony Chorale Cover Image

St. Anthony Chorale: Brass Choir Score & Parts

By Franz Joseph Haydn / arr. David Marlatt

Level: Easy

Item: 81-BC221128

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Description
This famous melody of "St. Anthony Chorale" has been attributed to Haydn, but there is doubt as to whether or not he was the composer or simply quoted an older theme taken from an unknown source. Johannes Brahms wrote a famous set of variations based on this melody calling it "Variations on a Theme" by Joseph Haydn. The music is simple and stately with the melody moving between several parts. Arranged for brass choir by David Marlatt. (2:45)

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-804-1
ISBN13: 978-1-77157-804-2
UPC: 685462028054
SKU: 81-BC221128
Instrumentation: Brass Choir

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) shaped the classical symphony and string quartet into their modern forms, establishing conventions that composers still follow today. His prolific output spans symphonies, concertos, masses, and chamber music, and his clear harmonic language and structural logic made him one of the most influential composers in Western music history.

Why we love this

This arrangement captures the hymn-like dignity of a melody that has endured for centuries, yet it sits comfortably within the capabilities of developing brass choirs. Marlatt's voicing distributes the tune across the ensemble without sacrificing clarity, and the piece's modest length (2:45) makes it ideal for concert programming without requiring extensive rehearsal time.

What to expect

Stately and songful, this arrangement invites players to listen to each other and blend into a unified voice. The melody unfolds with an almost devotional quality, moving between parts in a way that keeps the ear engaged while maintaining an atmosphere of quiet dignity.

Who it's for

Brass choirs ranging from community ensembles to advanced high school groups will find this accessible and musically satisfying. The straightforward harmonic language and modest technical demands allow directors to focus on tone, balance, and phrasing rather than wrestling with complex rhythms or extreme ranges.

How to get the most out of it

  • Balance the melody line carefully as it passes between parts; mark your section's cues in advance so the handoff feels inevitable rather than sudden.
  • Shape each phrase with a gentle rise and fall, resisting the urge to play too slowly. The music breathes best at a tempo that suggests hymn-like steadiness, not dirge.
  • Listen across the ensemble for harmonic blend, particularly in sustained chords where tone quality matters more than technical display.
  • Articulate attacks cleanly and uniformly within each section; this reverent piece demands precision in rhythm even as you keep the sound warm and sustained.

How to use it

Program this as a moment of contrast in a concert mixing styles and moods. It pairs well alongside baroque works or as a reflective interlude between livelier pieces, and its familiar tune often resonates with audiences who may not otherwise follow classical music closely.

Skills your students will build

  • Listening for and matching tone quality across a full ensemble
  • Following melodic lines as they pass between instrumental sections
  • Sustaining long notes with consistent support and intonation
  • Interpreting a hymn-like work with appropriate phrasing and articulation

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