St. Anthony -- Chorale Cover Image

St. Anthony -- Chorale: Brass Quartet Conductor Score & Parts

$28.95 USD
Sale price  $28.95 USD Regular price 
Skip to product information
St. Anthony -- Chorale Cover Image

St. Anthony -- Chorale: Brass Quartet Conductor Score & Parts

By Joseph Haydn / arr. Siegmund Andraschek

Item: 01-ADV3600

$28.95
Shipped

One moment…

Description
This beautiful work, "St. Anthony -- Chorale," not only offers a professional approach to the music, but also provides the perfect opportunity for students of different skill levels to play together in an ensemble. Arranged for brass quartet (four trombones / tenor horns).

St. Anthony -- Chorale: Brass Quartet Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892218-30-7
ISBN13: 978-3-892218-30-2
UPC: 805095036008
SKU: 01-ADV3600
Instrumentation: 4 Trombones/Tenor Horns

More about this title

About the Composer: Joseph Haydn

Joseph Haydn (1732-1809) shaped the Classical symphony and string quartet into their defining forms, establishing conventions that composers from Mozart to Beethoven would build upon. His prolific output across all genres—over 100 symphonies, 68 string quartets, sacred music, and operas—demonstrates a compositional mind equally comfortable with learned counterpoint and direct emotional appeal. For ensemble teachers, Haydn's music offers the rare combination of structural clarity and genuine musical substance, making it accessible without sacrificing integrity.

Why we love this

Haydn's melodic gift translates beautifully into this quartet arrangement, giving four brass players material that sings naturally across the ensemble while remaining straightforward enough for mixed-ability groups. The "St. Anthony" theme is immediately memorable, which means your students will stay engaged through rehearsals and deliver a polished performance without weeks of grinding on technique. It's the kind of piece that sounds sophisticated at a festival while building genuine musicianship in the players.

What to expect

The chorale unfolds with the quiet dignity of a hymn, each voice moving in its own time while the whole settles into Classical proportion and balance. There's warmth in the brass sonority and inevitability in Haydn's harmonic progression, creating a piece that feels both timeless and genuinely present.

Who it's for

This quartet works for younger students building ensemble skills alongside intermediate players who need substantial repertoire with clear structure. It's equally at home in a mixed-level pull-out group, a contest entry, or a festival performance where you want something refined but not overly demanding.

How to get the most out of it

  • Balance the chorale texture so no single voice dominates; this arrangement asks all four players to carry melody at different moments, so rotate who leads through rehearsals to develop everyone's sense of voice independence.
  • Pay attention to phrase breathing as a group, even on a single long line, so the melody breathes naturally rather than getting stuck in a mechanical rhythm.
  • Shape dynamics within the phrase rather than playing at a constant volume; Classical style gains elegance through subtle contour, not dramatic swells.

How to use it

Open a concert with this to establish an elegant tone, or pair it with a contemporary brass piece to show the range of what four brass players can express. It's also ideal for a formal occasion—academic convocation, memorial service, or chamber music recital—where you need something musically substantial in a compact package.

Skills your students will build

  • Reading and balancing four independent brass voices in real time
  • Sustaining long lines with consistent tone across phrase boundaries
  • Understanding voice leading and harmonic progression in Classical style
  • Collaborative listening and adjusting intonation as an ensemble
  • Performing lyrical, non-virtuosic music with musical intention

You May Also Like