Square Root Of Possible (from Jingle Jangle) (arr. Roger Emerson): SATB Choral Octavo

Roger Emerson's arrangement captures the infectious optimism of the original while crafting something that sits perfectly in a choir's range. The pop sensibility translates beautifully to SATB voices without losing the song's heart, making it an excellent choice for choirs seeking contemporary repertoire with real substance.

Optimistic and bright, with an infectious pop sensibility that keeps the piece moving. The harmonic language is rooted in accessibility, but Emerson includes enough sophistication to keep singers engaged and prevent the arrangement from feeling simplistic.

Choirs seeking feel-good contemporary repertoire that engages audiences without requiring advanced vocal technique. Middle school, high school, and community choirs will find the voicing accessible and the material genuinely enjoyable to rehearse.

• Keep the energy forward and conversational, especially in the verses. This song thrives on natural, speech-like phrasing rather than operatic weight.
• Balance the harmony parts so the melody always cuts through cleanly. With a film song like this, clarity of the tune matters as much as blend.
• Use the rhythmic precision of the accompaniment to anchor your ensemble's entries. The syncopation in the chart rewards tight, confident articulation.
• Let the lyrics drive the dynamic shape. This arrangement responds to the text's emotional arc, so singers should think about what they're saying, not just the notes they're singing.

This works as a strong contemporary opener or closer for a concert, especially one with holiday or winter programming. The film connection also makes it natural for a concert celebrating music from screen or for a family-friendly show where broader audiences will recognize and respond to the source material.

• Balancing melody and harmony in contemporary pop arrangements
• Rhythmic precision in syncopated passages
• Maintaining energy and forward momentum in conversational phrasing
• Shaping dynamics to serve lyrical content rather than traditional vocal technique
• Ensemble blend without sacrificing melodic clarity