Square - Mvt. 2 from <i>American Dances</i>: Tuba Sheet Music Preview

Square - Mvt. 2 from American Dances: Tuba

Mvt. 2 from American Dances

By Robert W. Smith

Grade: 4.5

Item: 98-PC-RWS1935_TB1

Digital Download
$3.99
Description
"American Dances" is a three movement suite originally composed for the Boston Pops Brass. Each movement features an American popular music genre. "Square" draws upon the country, western and bluegrass traditions as brought to the United States though settlers from the British Isles. Fun, interactive and delightfully challenging! When programmed with "Rag" (Mvt. 1) and "Swing" (Mvt. 3), the full "American Dances" suite is particularly effective in any concert setting.

Original Item#: RWS-1935-00

Square - Mvt. 2 from American Dances: Tuba isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: RWS - Symphony Band
Publisher: RWS Music Company
SKU: 98-PC-RWS1935_TB1

More about this title

About the Composer: Robert W. Smith

Robert W. Smith

Robert W. Smith stands as one of today's most prolific voices in concert band and orchestral composition, with over 400 works published across his career. He holds degrees from Troy State University (AL) and the University of Miami (FL), and his compositions have been performed by ensembles worldwide, from North America to Europe, Australia, and Asia. His symphonic works like The Divine Comedy and The Odyssey, along with repertoire standards such as The Tempest, have become fixtures in band programs at all levels.

Beyond the concert hall, Smith's music has reached audiences through major television broadcasts, Olympic ceremonies, the Macy's Thanksgiving Day Parade, and events ranging from state dinners to opening day at professional sports venues. As a guest conductor and clinician, he continues to work with ensembles across North America and internationally, bringing his distinctive voice and keen understanding of what engages both musicians and audiences.

Why we love this

Smith's gift for writing accessible yet musically substantial concert band music shines here. The movement captures authentic country and bluegrass character without sacrificing the playful sophistication that makes this suite work so well in concert; it's genuinely fun to conduct and perform while never feeling slight.

What to expect

Square dances and front-porch traditions come alive through Smith's orchestration, which evokes the warmth and directness of American folk music brought from the British Isles. The score breathes with genuine good humor and spirited character, inviting the band to discover the joy in straightforward, well-crafted musical storytelling.

Who it's for

Concert bands at the Grade 4.5 level who want repertoire that entertains without talking down to the ensemble. This movement works equally well for experienced groups seeking a fun programming addition or developing bands ready for material that demands musical maturity alongside technical accessibility.

How to get the most out of it

  • Anchor the rhythm section's steady pulse in the opening; bluegrass energy comes from absolute clarity in the foundation, not rushing.
  • Balance the fiddle-like solo lines in the woodwinds so they sing above the harmonic backdrop without losing the rustic, folk-rooted texture.
  • Shape the phrase endings with a light, conversational touch; this style favors natural breathing and gentle rebound rather than heavy articulation.

How to use it

Program this as the centerpiece of a concert celebrating American musical traditions, especially when paired with Movements 1 and 3 of the full American Dances suite for maximum impact. It also stands alone beautifully as a concert opener or an engaging segue between more serious contemporary works, offering audiences a genuine breather while keeping their attention fully engaged.

Skills your students will build

  • Folk-idiom phrasing and stylistic ornamentation specific to country and bluegrass traditions
  • Balance between solo lines and harmonic accompaniment in a transparent texture
  • Quick stylistic shifts and rhythmic precision in a playful, non-classical context
  • Articulation clarity and rhythmic independence in sections carrying sustained harmonic support

You May Also Like