Spotlight Piano Solo Collection, Book 2 Cover Image

Spotlight Piano Solo Collection, Book 2: Late Elementary/Early Intermediate Piano Book

$8.50 USD
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Spotlight Piano Solo Collection, Book 2 Cover Image

Spotlight Piano Solo Collection, Book 2: Late Elementary/Early Intermediate Piano Book

By Helen Marlais

Item: 98-FJH1234

$8.50
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Description
Contents include: Castle Days (Massoud); Three Country Dances (Strickland); Prelude No. 1 (Miller); The Tennis Match (Holmes); Moonlight Waltz (Moon); Flight of the Witches (Greenleaf); Sunset Over the Bay (Costley); Spanish Nocturne (Massoud); Party Mon

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Additional Details
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-158-0
ISBN13: 978-1-56939-158-7
UPC: 674398205059
SKU: 98-FJH1234

More about this title

About the Composer: Helen Marlais

Helen Marlais is a composer and music educator whose work for young pianists balances technical development with genuine musical substance. Her pieces consistently demonstrate an understanding of what engages students at different levels, combining accessible pedagogy with compositions that don't talk down to their audience.

Why we love this

This collection offers genuine stylistic variety without sacrificing coherence. Each piece stands alone musically while the collection as a whole gives students exposure to character writing, rhythmic clarity, and tonal color at a level where they can actually execute the composer's intentions rather than just survive the mechanics.

What to expect

This book moves between vivid miniatures, from the playful narrative of The Tennis Match to the atmospheric depth of Moonlight Waltz and the rhythmic energy of the Spanish Nocturne. Throughout, the writing rewards attention to detail with pieces that feel substantial without demanding technical heroics.

Who it's for

Late elementary and early intermediate students ready for pieces with real character and stylistic range. These students need material that sounds finished in performance while still fitting squarely in their technical comfort zone.

How to get the most out of it

  • Anchor the rhythmic figures in pieces like The Tennis Match by thinking of the pulse as your center point; let the melody gesture around that stability rather than chasing every note.
  • Color matters in Sunset Over the Bay and Moonlight Waltz. Experiment with pedal placement during practice to find where the harmony actually rings, then map those moments so they're consistent in performance.
  • Approach the character pieces (Castle Days, Flight of the Witches, Spanish Nocturne) by identifying what story or image the title suggests, then let that inform your choices about tempo flexibility and dynamic shaping.
  • Work left hand and right hand separately in the more complex textures, then layer them slowly. This collection rewards precision in rhythm because the writing is clean enough that listeners notice when ensemble breaks down.

How to use it

Pull individual pieces for student recitals across the school year, or program several together to showcase a student's progress through different styles. The variety makes this collection ideal for building repertoire lists that introduce ensemble settings or community performances.

Skills your students will build

  • Executing clear rhythmic patterns in varied meters and tempos
  • Reading and interpreting dynamic and tempo markings as musical directives
  • Sustaining consistent pulse while managing melody and accompaniment texture
  • Building independence between hands in pieces with asymmetrical rhythmic figures
  • Recognizing and performing stylistic markers (waltz rhythm, character dance figures, programmatic suggestion)
  • Managing pedal control for harmonic color and clarity

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