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Spotlight on Ragtime Style: Piano Book

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Spotlight on Ragtime Style Cover Image

Spotlight on Ragtime Style: Piano Book

Five Original Pieces in Ragtime Style for the Intermediate Pianist

By Catherine Rollin

Level: Intermediate

Item: 00-6017

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Description
The original ragtime pieces in this collection were designed to introduce students to the distinctly American style of music emerging in the early 20th Century. Remains true to ragtime style without exceeding the limitations of intermediate pianists. Suggestions and program notes are provided.

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Additional Details
Publisher: Alfred Music
Page Count: 20
UPC: 038081009360
SKU: 00-6017

More about this title

About the Composer: Catherine Rollin

Catherine Rollin

Catherine Rollin balances an active performing schedule with mentoring accomplished students, having conducted workshops and masterclasses across the United States, Canada, Japan, and Taiwan. She earned her Bachelor of Musical Arts degree with distinction from the University of Michigan and her Master of Music degree from Oakland University School of Performing Arts.

Rollin's compositional work has garnered recognition from major music organizations including the Music Teachers National Alliance (MTNA), the Michigan Music Teachers Association, and the National Federation of Music Clubs. She has been commissioned by Clavier Companion magazine, the MTNA's prestigious "From the Pen to the Premiere" series, and has served as a national judge for the MTNA Student Composition Competition and the Lynn Freeman Olson Composition Contest. Her ASCAP award-winning series Museum Masterpieces and her multimedia concert work with the Steinway Society demonstrate her range as both composer and performer.

Why we love this

Rollin writes ragtime that breathes with authentic style while respecting the technical reality of intermediate players. The program notes and suggestions elevate this beyond a simple note-reading exercise, giving students context for the distinctly American idiom they're learning to perform. These pieces bring historical music to life without requiring virtuosity your students don't yet have.

What to expect

These pieces capture the stride, syncopation, and forward energy of early 20th-century ragtime. Playing them feels like stepping into a historical moment; the rhythmic complexity engages your fingers while the genuinely musical writing keeps the style from feeling like an exercise.

Who it's for

Intermediate pianists ready to explore American music history through repertoire designed for their technical level. Students benefit from hearing authentic ragtime without encountering the virtuosic demands that characterize many historical ragtime pieces.

How to get the most out of it

  • Anchor the syncopated melodies by establishing a steady left-hand pulse. Ragtime thrives on rhythmic precision, so let the accompaniment pattern become metronomic before layering the syncopation above it.
  • Notice the written program notes for each piece. Rollin includes suggestions that guide interpretation and help you explain the historical context to your students before they play.
  • Shape the ragtime figures with subtle articulation rather than aggressive staccato. These pieces sound authentic when the rhythm is crisp but the line remains singing.

How to use it

Program a ragtime piece as a solo for the American music unit in a recital or concert, or use it to bridge classical technique and jazz history. The accessible length and intermediate difficulty make these ideal for students performing their first stylistically diverse program.

Skills your students will build

  • Reading and performing syncopated rhythms in both hands
  • Left-hand stride patterns and rhythmic independence
  • Understanding ragtime articulation and phrasing conventions
  • Interpreting program notes and applying historical context to performance

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