Spotlight on Duets, Book 2 Cover Image

Spotlight on Duets, Book 2: Intermediate/Late Intermediate Piano Book

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Spotlight on Duets, Book 2 Cover Image

Spotlight on Duets, Book 2: Intermediate/Late Intermediate Piano Book

By Helen Marlais

Item: 98-FJH1482

$8.95
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Description
Consists of intermediate/late intermediate-level original compositions by Kevin Olson, Melody Bober, Wynn-Anne Rossi and others. These duets will further the students' exposure and experience of duet playing, reinforcing the students control of rhythm, tempo and dynamics.

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Additional Details
Series: Spotlight on Duets
Publisher: The FJH Music Company, Inc.
ISBN10: 1-56939-382-6
ISBN13: 978-1-56-939382-6
UPC: 674398221599
SKU: 98-FJH1482

More about this title

About the Composer: Helen Marlais

Helen Marlais has spent decades shaping piano pedagogy through thoughtfully crafted compositions and curriculum design. Her work bridges the gap between technique-building exercises and genuine musical expression, making her a trusted voice among piano teachers who want their students to experience real artistry alongside skill development.

Why we love this

Marlais curates this series with an eye toward what intermediate pianists actually need: duets that don't talk down to them, but also don't overwhelm them with unnecessary complexity. The variety of voices in Book 2 keeps the material fresh while the focus on rhythm, tempo, and dynamic control ensures every piece teaches something essential about ensemble playing.

What to expect

These duets offer the satisfaction of blending two independent voices into something cohesive, with enough melodic substance that students feel they're making real music together. The intermediate difficulty level means both players contribute meaningfully rather than one carrying the weight.

Who it's for

Intermediate and late intermediate piano students ready to explore the collaborative demands of duet playing. Teachers looking for a varied collection that keeps students engaged beyond their first duet book will find the mix of composers and styles particularly useful.

How to get the most out of it

  • Establish a steady pulse before playing hands together. A few measures of tapping or counting aloud prevents the common intermediate habit of dragging during coordination changes.
  • Record a rough pass-through on your phone first, then listen back to identify where tempo wavers. Students often don't hear their own rushes and hesitations without this mirror.
  • Assign one student to conduct a simple beat pattern during rehearsals until both parts sit securely. This removes the pressure of "keeping together" and lets each player focus on their own line quality.
  • Work dynamics separately from notes. Play the piece with only dynamic markings and exaggerated expression before adding any technical challenges.

How to use it

Spring recitals become more interesting when you have duets of genuine musical quality ready to program. Use this book as a steady source of pairing options throughout the year, or select 2-3 pieces to develop as featured ensemble numbers that showcase your studio's collaborative skills.

Skills your students will build

  • Maintaining independent tempo while listening to a partner
  • Balancing dynamics between two equal voices
  • Sustaining focus through longer, multi-section pieces
  • Reading coordinated rhythm patterns across two staves
  • Responding to gesture and cue changes in real time

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