Spontaneous Beings Cover Image

Spontaneous Beings: Concert Band Conductor Score

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Spontaneous Beings Cover Image

Spontaneous Beings: Concert Band Conductor Score

By Brian Balmages

Grade: 3

Item: 98-B1699S

$9.00
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Description
Based on oral history of the Anishinaabeg, this piece draws its name from Ojibwe historian Basil Johnston, who offered the literal translation of the name as “Spontaneous Beings.” Based on authentic folk music and steeped in tradition, the piece relies heavily on traditional percussion instruments (with optional substitutes suggested). Very approachable, yet extremely powerful.

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 241444519868
SKU: 98-B1699S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a composer and conductor whose work crosses orchestral, band, and chamber music with equal fluency. His compositions have been heard in Carnegie Hall, the Kennedy Center, Sydney Opera House, and the Toronto Centre for the Arts, performed by ensembles ranging from professional orchestras to elementary school groups. He holds the A. Austin Harding Award from the American School Band Directors Association, won the 2020 NBA William D. Revelli Composition Contest for Love and Light, and serves as an elected member of the American Bandmasters Association.

Balmages received the inaugural James Madison University Distinguished Alumni Award from the School of Visual and Performing Arts and was commissioned by the University of Miami to compose for the inauguration of its 6th president. His music was performed during the 2013 Presidential Inaugural Prayer Service, attended by President Obama and Vice President Biden. As a conductor, he maintains regular engagements with all-state and regional ensembles, university groups, and professional orchestras worldwide. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

This piece bridges cultural authenticity and immediate accessibility in a way Grade 3 bands rarely encounter. Balmages roots the writing in genuine Anishinaabeg traditions while keeping the instrumental writing straightforward enough for developing players, meaning your students engage with real cultural material rather than a simplified facsimile. The emphasis on traditional percussion instruments creates an opportunity to build your ensemble's sound palette beyond standard mallets and timpani.

What to expect

The piece unfolds with the quiet dignity of oral tradition translated into sound. Traditional percussion creates a sonic landscape that feels both rooted and spacious, while the band's melodies emerge and recede like voices in a story being passed forward. There's power here that builds not from volume but from authenticity and respect.

Who it's for

Grade 3 concert bands seeking repertoire that honors Indigenous musical traditions while remaining accessible to developing musicians. This score serves directors who want to expand their students' cultural awareness and instrumental palette without compromising ensemble readiness.

How to get the most out of it

  • Balance the traditional percussion instruments prominently in the mix; they carry the cultural weight of the piece and should not be buried beneath the band.
  • Work through the optional percussion substitutes in rehearsal to understand which instruments your ensemble can secure; knowing your alternatives prevents last-minute scrambling.
  • Allow space for the music to breathe in sections built on folk material; resist the urge to push tempo and let the melody sing through.

How to use it

Program this as an anchor piece on a concert exploring cultural heritage, or pair it with other multicultural repertoire to create a thematic set. It works equally well as a concert opener that establishes a contemplative tone or as a centerpiece that draws the audience into a different musical world.

Skills your students will build

  • Listening to and respecting non-Western musical structures and instruments
  • Balancing ensemble sound when traditional percussion carries melodic and harmonic weight
  • Playing with restraint and sensitivity to support storytelling rather than showcase individual voices
  • Understanding the cultural context of the music being performed

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