Spirituals for Solo Singers, Volume 2 Cover Image

Spirituals for Solo Singers, Volume 2: Medium Low Voice Book & CD

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Spirituals for Solo Singers, Volume 2 Cover Image

Spirituals for Solo Singers, Volume 2: Medium Low Voice Book & CD

10 Spirituals Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests

Compiled and ed. Andy Beck

Item: 00-23915

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Description
Singers will cherish these powerful solo arrangements by Mark Hayes, Jay Althouse, Philip Kern, Greg Gilpin, and other fine Alfred arrangers. Including favorite traditional spirituals like "Deep River," "Sit Down Servant," "Witness," and "Down in the Valley to Pray," this inspirational collection is essential to every solo singer's library. Fresh contemporary arrangements that sing and play well, available in medium high and medium low editions, with or without the accompaniment CD.

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 68
ISBN10: 0-7390-3843-5
ISBN13: 978-0-7390-3843-7
UPC: 038081239651
SKU: 00-23915

More about this title

Why we love this

Mark Hayes, Jay Althouse, Philip Kern, and Greg Gilpin bring serious arranging craft to this collection, and it shows in how singable these settings are. The medium low voice edition solves a real gap in spiritual repertoire at this tessiture, where options tend to skew toward higher voices. These arrangements balance accessibility with musical substance, giving singers something that feels fresh without losing the spiritual depth of the tradition.

What to expect

These spirituals carry both intimacy and power. You'll find moments of quiet reflection alongside passages that demand full vocal engagement, all shaped by arrangers who understand how to let a voice shine without overwhelming it.

Who it's for

Solo singers preparing repertoire for recitals, competitions, or worship settings will find dependable, musically satisfying material here. This collection works equally well for developing singers building confidence and experienced performers looking for material with substance.

How to get the most out of it

  • Study the recorded accompaniment several times before touching the score; these arrangements have specific harmonic colors and rhythmic grooves that shape how the melody sits.
  • Pay attention to dynamics marked in the text. Spirituals thrive on contrast, and these settings use light and shade deliberately to build emotional shape.
  • Let the accompaniment breathe. Many of these arrangements give the piano room to speak, so resist the urge to rush through passages where the harmony is doing the real work.
  • Own the storytelling in the text. These aren't arrangements meant for technical display; they're about communicating something true.

How to use it

Program one of these spirituals as a recital centerpiece or as a contrasting solo within a larger concert. They also work beautifully in worship contexts where you want something more elaborate than a hymn arrangement but still rooted in the spiritual tradition.

Skills your students will build

  • Interpreting text with musical intention in a sacred context
  • Navigating varied harmonic language in contemporary arrangements
  • Sustaining vocal line independence while listening to complex accompaniment
  • Understanding how arrangement choices shape the emotional arc of a familiar melody

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