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Spirituals for Solo Singers: Medium High Voice CD

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Spirituals for Solo Singers: Medium High Voice CD

11 Spirituals Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests

Ed. Jay Althouse

Item: 00-16913

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Description
Jay Althouse has compiled an outstanding collection of eleven spirituals arranged for solo voice and piano by some of Alfred's finest composers and arrangers. Perfect for recitals, concerts and contests, this compilation includes songs such as "Ezekiel's Wheel," "Kum Ba Yah," and more!

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
UPC: 038081150697
SKU: 00-16913

More about this title

About the Creator: Jay Althouse

Jay Althouse is a prolific composer and arranger whose work appears regularly in concert halls, churches, and festival programs across North America. Known for his gift in making complex arrangements accessible without sacrificing musical substance, Althouse has spent decades crafting pieces that respect both the performer and the listener.

Why we love this

Althouse enlisted multiple arrangers from Alfred's roster, which means the collection avoids the sameness that single-arranger compilations sometimes suffer from. You get genuine variety in harmonic language and compositional approach while maintaining a consistent standard of craft throughout. The medium-high voice collection is particularly well-suited to soprano and tenor voices that need material beyond the typical crossover repertoire.

What to expect

These arrangements honor the emotional core of spirituals while weaving in contemporary harmonic language that rewards careful listening. You'll hear echoes of traditional forms alongside unexpected harmonic turns that keep both performer and audience present throughout each song.

Who it's for

Solo vocalists preparing recital material, competition repertoire, or concert programming who want spirituals arranged with sophistication and care. This collection works equally well for music students exploring American roots music and for experienced singers looking to deepen their engagement with the genre.

How to get the most out of it

  • Study the recorded accompaniment first to internalize the harmonic language before adding your own interpretive choices; these arrangements often sit differently harmonically than traditional art songs.
  • Balance the spiritual's inherent directness with the arrangers' more contemporary harmonic colors; resist oversinging the emotion that's already built into the music.
  • Treat each of the eleven pieces as distinct in character rather than as interchangeable selections; they span different regions and musical traditions within the spiritual genre.

How to use it

Build a complete spirituals-focused recital around this collection, mixing traditional hymn arrangements with contemporary ones to show the genre's evolution. Alternately, draw two or three selections as a cohesive spiritual segment within a broader program of American vocal music.

Skills your students will build

  • Singing spirituals with authentic phrasing and rhythmic vocabulary distinct from classical art song
  • Interpreting arrangements that blend traditional harmonic language with contemporary compositional techniques
  • Balancing textual directness with sophisticated musical arrangement
  • Working with piano accompaniments that require sensitive collaboration and flexibility

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