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Spirituals for Saxophone: Sometimes I Feel Like a Motherless Child: Tenor Saxophone & Organ Score & Part

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Spirituals for Saxophone: Sometimes I Feel Like a Motherless Child: Tenor Saxophone & Organ Score & Part

Traditional / arr. Friedemann Graef

Item: 01-ADV7067

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Description
This collection of pieces for saxophone and organ or piano, Spirituals for Saxophone arranged by Friedemann Graef, is designed for use in concert performances as well as for church services and other ceremonies. This traditional American spiritual, "Sometimes I Feel Like a Motherless Child," has been extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of the arranger's personal experience with these tunes and chord changes. The organ part may also be played on acoustic piano if the bass voice is played one octave lower in respective passages---these passages are marked. There is a transposed part for B-flat and E-flat saxophones. Due to the different register of the tenor and alto saxophone, a few notes of the alto saxophone parts have been changed for a more effective sound.

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Additional Details
Series: Advance Music: Spirituals for Saxophone
Publisher: Advance Music
UPC: 805095070675
SKU: 01-ADV7067
Instrumentation: Tenor Saxophone & Organ

More about this title

About the Arranger: Friedemann Graef

Friedemann Graef is a German saxophonist and arranger whose work centers on expanding the concert repertoire for saxophone through thoughtful transcriptions and arrangements. His decade-long engagement with spirituals and jazz idioms informs these settings, which blend authentic harmonic language with composed extensions that give soloists genuine musical material to develop.

Why we love this

Graef's decade-plus immersion in this spiritual shows in every phrase. The notated solos feel earned rather than imposed, giving saxophonists authentic improvisatory language rooted in the tradition itself. The flexibility of organ or piano accompaniment makes this work across church gigs, recitals, and festival performances without compromise.

What to expect

The piece opens with quiet dignity, drawing listeners into the emotional core of longing and resilience at the heart of this spiritual. The dialogue between saxophone and organ breathes with the cadence of prayer, moving from introspection through moments of soaring declaration and back again.

Who it's for

Tenor saxophonists performing in recital, church service, or competitive festival settings. This arrangement rewards players with solid intonation control, interpretive maturity, and comfort with the spiritual idiom's expressive demands.

How to get the most out of it

  • Study the composed introductions and interludes as ensemble passages, not saxophone features. The organ voices and saxophone line are interdependent; lock the phrasing with your accompanist before diving into the written solos.
  • Lean into the spiritual's characteristic vocabulary: slides, bent notes, and rubato phrasing sit naturally in this arrangement. Don't sand off these expressive tools in favor of classical precision.
  • If your organist is playing on acoustic piano, confirm which passages require the octave lower bass line. Mark these clearly in your part so you both know when the harmonic foundation shifts.

How to use it

Program this alongside other spirituals or American roots music to create a thematic concert segment. Its capacity to work in both sacred and secular contexts makes it ideal for diverse programming: preconcert or postlude in a church service, or a powerful standalone piece in an evening of saxophone repertoire.

Skills your students will build

  • Expressive phrasing and rubato within a composed framework
  • Improvisation literacy within stylistically authentic parameters
  • Ensemble balance and responsiveness to organ accompaniment
  • Stylistic interpretation of African American sacred music tradition

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