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Spirited Dance: String Orchestra, Conductor Score

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Spirited Dance: String Orchestra, Conductor Score

By Edmund J. Siennicki

Grade: 2

Item: 36-20255697

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Description
Spirited Dance exemplifies the spirited exuberance of the youthful musicians for which it was composed. Using the Lydian mode in several transpositions, the work contrasts shifting meters and syncopated rhythms with lyrical melodies superimposed over driving eighth note rhythms. The overall effect is one of charged energy.

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Additional Details
Series: LudwigMasters Developing Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-891898-7
ISBN13: 978-1-57-891898-0
UPC: 659859189994
SKU: 36-20255697
Instrumentation: String Orchestra

More about this title

About the Composer: Edmund J. Siennicki

Edmund J. Siennicki

Edmund J. Siennicki grew up in Cleveland, Ohio, and at twelve years old had a formative conversation with pianist Ignacy Jan Paderewski that shaped his musical trajectory. He earned his Bachelor's degree from Kent State University, where he composed Fight on for KSU, a piece still performed at the university's football games. His graduate training included a Master's degree from Teachers College, Columbia University, with composition study under Herbert Elwell and electronic music training with Sergio Barroso; he also consulted with Vincent Persichetti.

Siennicki built a distinguished career as both a performer and composer. As a professional musician, he played bassoon and piano, while simultaneously teaching in Cleveland's junior high schools and serving on the faculties of Michigan and Kent State University. His catalog includes approximately 200 published compositions, and his work has earned recognition through National School Orchestra composition contests, two MacDowell Colony residencies, and consistent ASCAP awards spanning two decades. He remains active as a composer, clinician, and visiting educator.

Why we love this

Siennicki writes for developing orchestras with genuine understanding of what young musicians can accomplish. The modal harmonic language and driving rhythmic energy create the impression of sophistication without requiring advanced technical facility, making this a satisfying piece for both players and audiences.

What to expect

Spirited Dance pulses with the restless energy and joy of youth. The Lydian mode gives it a bright, almost celebratory character, while shifting meters and syncopation keep the listener slightly off-balance, creating forward momentum that never quite settles. Lyrical moments emerge from the rhythmic texture like breathing space in a continuous celebration.

Who it's for

Grade 2 string orchestras with solid rhythmic coordination and intonation control will thrive with this work. It suits programs seeking energetic repertoire that demonstrates musical maturity without excessive difficulty, and serves as an excellent vehicle for programming that highlights young players' growing musicianship.

How to get the most out of it

  • Establish the Lydian mode's raised fourth degree clearly in early rehearsals; this unfamiliar sound becomes the work's fingerprint once players internalize it.
  • Map out all meter changes before the first read-through so violins and lower strings can orient to shifting pulse patterns together.
  • Let the eighth-note motor rhythm drive the pacing; resist the urge to rush the syncopation, which should feel precise rather than harried.
  • Balance the lyrical melodies against the rhythmic foundation by keeping the accompaniment figures steady and consistent, allowing soloists to rise naturally above them.

How to use it

Program this as a concert opener or as the centerpiece of a section celebrating contemporary string writing. It pairs well with both classical repertoire (where its modal harmony becomes a refreshing contrast) and with other pieces emphasizing rhythm and contemporary techniques. The charged, youthful energy makes it equally at home in spring concerts, festival programs, or young-people's concerts.

Skills your students will build

  • Reading and performing in Lydian mode across multiple transpositions
  • Navigating shifting meters (reading changes between meters accurately)
  • Syncopated rhythm execution against a steady eighth-note accompaniment pattern
  • Balancing lyrical melodic lines with rhythmic underpinning
  • Ensemble precision at faster tempi with complex rhythmic relationships

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