Spies R Us Cover Image

Spies R Us: Jazz Ensemble Conductor Score & Parts

$42.00 USD
Sale price  $42.00 USD Regular price 
Skip to product information
Spies R Us Cover Image

Spies R Us: Jazz Ensemble Conductor Score & Parts

Arr. Mike Story

Grade: 1 (Easy)

Item: 00-JEM03042

$42.00
Shipped

One moment…

Description
A medley of four spy themes featuring "Goldfinger," "James Bond," "Soul Bossa Nova" (Austin Powers), and "Secret Agent Man." Another clever, fun-to-play, and educational chart from arranger Michael Story, this chart will help students learn the stylistic differences between Latin, swing and rock styles and have a ball doing it. No solos, easy rhythms, modest ranges, and plenty of fun ensemble playing. Yeah, baby!

Spies R Us: Jazz Ensemble Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: First Year Charts for Jazz Ensemble
Publisher: Alfred Music
Page Count: 92
ISBN10: 0-7579-3425-0
ISBN13: 978-0-7579-3425-4
UPC: 654979057352
SKU: 00-JEM03042

More about this title

About the Arranger: Mike Story

Mike Story has established himself as one of the most prolific and respected arrangers for student jazz ensembles. His output spans decades of accessible, musically sound charts that balance pedagogical goals with genuine entertainment value. Story understands exactly what young jazz musicians need to hear and play in order to develop their craft without becoming overwhelmed.

Why we love this

This medley solves a real problem for early-level jazz directors: finding music that teaches stylistic differentiation without sacrificing fun or requiring soloists. Story's arrangement builds confidence through ensemble playing, clear sectional writing, and instantly recognizable themes that motivate students to commit to their parts.

What to expect

Playful, energetic, and impossibly cool. The medley format keeps momentum high and students engaged as the ensemble moves between the sophisticated Latin feel of "Goldfinger," the swinging sophistication of "James Bond," the funk-infused groove of "Soul Bossa Nova," and the driving rock edge of "Secret Agent Man." There's a spy-movie swagger throughout that makes every student feel like they're part of something slick.

Who it's for

First-year and early second-year jazz ensemble students who are building foundational ensemble skills and stylistic awareness. Directors looking for music that entertains while delivering legitimate pedagogical content will find this chart invaluable for concert programming and rehearsal motivation.

How to get the most out of it

  • Lock in the rhythmic feel before worrying about dynamics. The Latin, swing, and rock sections each demand their own rhythmic pocket; nail the groove first, then layer in expression.
  • Use the recorded accompaniment to establish tempo and feel for each section. Let students hear what the styles actually sound like rather than trying to describe Latin clave or swing shuffle in rehearsal.
  • Balance the melody across the ensemble during theme statements. With no featured soloists, every section carries weight in presenting these iconic themes clearly.

How to use it

Program this early in a concert to establish that jazz ensemble is about groove and style, not virtuosity. It works beautifully as a closing number for a pops concert, a fund-raiser gala, or a jazz night where the goal is audience engagement and student confidence. The medley format also makes it perfect for shorter rehearsal calendars or situations where you need something substantial without requiring months of preparation.

Skills your students will build

  • Distinguishing and executing Latin, swing, and rock rhythmic feels
  • Reading and maintaining consistent ensemble texture in medley format
  • Balancing harmonic motion across full ensemble voicings
  • Managing tempo and style transitions between contrasting sections
  • Phrasing melody lines as an ensemble unit

You May Also Like