Sphaerenklaenge Walzer, Op. 235 Cover Image

Sphaerenklaenge Walzer, Op. 235: Full Orchestra, Score and Parts

$75.00 USD
Sale price  $75.00 USD Regular price 
Skip to product information
Sphaerenklaenge Walzer, Op. 235 Cover Image

Sphaerenklaenge Walzer, Op. 235: Full Orchestra, Score and Parts

By Josef Strauss

Item: 36-A211102

$75.00
Shipped

One moment…

Description
SPHÄRENKLÄNGE WALZER (MUSIC OF THE SPHERES WALTZ), OP. 235 was composed by Josef Strauss (1827-1870) for a medical association ball in 1868. The first performance took place at that event on January 21 in the Sofiensaal in Vienna, the composer at the baton. It takes its name from the Pythagorean theory which suggests that every planet in the universe exudes its own musical note as it orbits in its course among the stars. The subject of the waltz proved somewhat controversial as the writers of the Fremden-Blatt observed that its music, inappropriately for a medical ball, reminded its attendees of the next world. Instrumentation: 1+Picc.2.2.2: 4.4.3.1: Timp.Perc(2): Hp: Str (9.8.7.6.5 in set).

Sphaerenklaenge Walzer, Op. 235: Full Orchestra, Score and Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 660355016424
SKU: 36-A211102
Instrumentation: 1+Picc.2.2.2: 4.4.3.1: Timp.Perc(2): Hp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Josef Strauss

Josef Strauss (1827-1870) was the younger brother of Johann Strauss II and a formidable composer in his own right, creating over 250 dance works during his lifetime. Though often overshadowed by his famous sibling, Josef brought his own sophistication to the Viennese waltz, favoring elegant orchestration and harmonic subtlety. He served as conductor and composer for various Vienna ballrooms and orchestras, establishing himself as a major voice in mid-nineteenth-century dance music before his early death at age 43.

Josef's compositions reveal a composer unafraid to experiment with the waltz form, introducing literary and philosophical themes where his brother typically favored straightforward charm. His technical mastery of orchestration and gift for memorable melody secured his place among the essential Strauss family repertoire, and his works remain essential programming material for orchestras exploring the full range of Viennese dance traditions.

Why we love this

The Pythagorean cosmology behind this waltz gives it an intellectual dimension rarely found in dance music, inviting audiences to hear something transcendent in the orchestra's sound. The writing balances the lush string textures and brilliant brass typical of Viennese tradition with subtle harmonic passages that reward attentive listening. Performing it reveals why conductors return to Strauss family repertoire again and again: the clarity of orchestration makes every sectional sound brilliant, yet the music never feels overstuffed.

What to expect

The waltz unfolds with celestial elegance, as though the orchestra is translating planetary motion into sound. Sweeping string passages carry forward the gentle, spinning motion of the dance while interjections from brass and woodwinds add wit and sparkle to the proceedings. There is a slightly wistful quality beneath the surface brilliance, a meditation on beauty and cosmos that distinguishes this from more purely festive fare.

Who it's for

Orchestras seeking mid-level Romantic repertoire that sits comfortably between the virtuosity required for Berlioz or Wagner and the lighter orchestration of salon music. Community orchestras, regional symphony orchestras, and music festivals programming concerts with a historical or dance-music focus will find this a natural fit.

How to get the most out of it

  • Balance the harp discreetly; it provides harmonic color rather than structural weight, so keep it present but never intrusive against the full orchestra.
  • Shape the main waltz theme with natural phrasing rather than metronomic precision. The rubato and gentle give-and-take between conductor and orchestra distinguishes Viennese style from mechanical dance music.
  • Bring out the piccolo's flourishes in the higher registers where they create sparkle above the string foundation; these moments demand clarity without shrillness.
  • Coordinate timpani and percussion carefully during tutti passages so they propel rather than overwhelm. The percussionists should lock with the conductor's beat while remaining responsive to the orchestra's phrasing.

How to use it

Program this alongside other Strauss family waltzes to highlight the contrasting approaches of Vienna's most famous musical dynasty, or pair it with contemporary orchestral music that shares its philosophical bent. It works equally well as a concert opener that sets an elegant tone or as part of a spring pops program celebrating European dance traditions.

Skills your students will build

  • Balancing transparent orchestration across a full chamber orchestra setup
  • Executing rhythmic precision in waltz meter while maintaining musical legit
  • Coordinating multiple percussion colors (timpani and accessory percussion) within the ensemble texture
  • Shaping extended string passages with breath and phrasing rather than forced dynamics
  • Reading nineteenth-century Viennese orchestration conventions and style indicators

You May Also Like