Speedgetsem (March): Concert Band Conductor Score & Parts
By William Bolcom
Item: 35-PK00295766
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About the Composer: William Bolcom
William Bolcom is an American composer and pianist whose catalog spans classical, popular, and theatrical idioms with equal fluency. His work for concert band balances accessibility with compositional sophistication, making him a frequent choice for festivals and competitive events where technical polish meets genuine musicality.
Why we love this
Bolcom writes marches that feel genuinely fresh rather than derivative of Sousa. The four-minute duration hits the sweet spot for festival programming without overstaying its welcome, and the orchestration lies beautifully for concert band without requiring extended techniques or unusual instrumentation demands.
What to expect
Forward-moving and spirited with the classical march character you'd expect, but written in Bolcom's idiom rather than pastiche. The piece has momentum and personality without sacrificing musicianship.
Who it's for
Festival-bound concert bands seeking a contemporary march with substance. Ensembles looking to program something beyond the standard repertoire will find this accessible yet rewarding both to prepare and perform.
How to get the most out of it
- Balance the melodic content between upper woodwinds and brass so neither overshadows the other; this march rewards clarity of line across all sections
- Keep the tempo steady and confident rather than pushing it; a march that breathes naturally with strong rhythmic precision will land harder than one that rushes
- Shape phrases through dynamics and articulation rather than tempo fluctuation; Bolcom's writing reveals structure through textural layers
How to use it
Schedule this as a concert opener or as the anchor of a mixed concert program where you want something with traditional march form and contemporary voice. Its four-minute length makes it ideal for festival competitions or as a standalone feature in a variety-based concert.
Skills your students will build
- Maintaining consistent pulse and articulation in a march context
- Balancing ensemble blend when melodic responsibility shifts between sections
- Executing clear phrasing within a formally structured march design