Ogden Nash was an American poet and lyricist best known for his witty, conversational verse and contributions to musical theater. While primarily celebrated for his comedic poetry, Nash wrote lyrics for several theatrical productions, collaborating with composers to create enduring standards that blend literary cleverness with musical sophistication. His work brought a distinctly American sensibility to the American Songbook.
Why we love this
Speak Low sits in that sweet spot where jazz standards shine as solo vehicles: the melody is sophisticated enough to sustain interest without harmonic support, the range sits comfortably on horn, and the lyrical phrasing translates beautifully to instrumental playing. This one rewards attention to rubato and dynamic shaping, qualities that develop musicianship across all styles.
What to expect
Speak Low unfolds like a late-night conversation: unhurried, thoughtful, and full of conversational turns. The melody breathes naturally across the staff, inviting you to find pockets of space where expression lives in the silence between notes. It's tender without being sentimental.
Who it's for
Horn players with solid command of the instrument's middle register and an ear for jazz phrasing. This works beautifully for advanced high school soloists or college students preparing recital material that showcases lyricism and restraint.
How to get the most out of it
Shape the opening phrase with a gentle swell rather than entering at full volume. The intimacy of this standard demands restraint.
Treat the bridge as a moment of slight intensification, but avoid pushing into the altissimo unnecessarily. Stay grounded in the middle register for maximum control.
Notice where the melody lingers on certain pitches. Hold these moments slightly longer than written to let the harmony underneath breathe.
Balance vibrato carefully throughout. Less is more in the opening section; gradually increase toward the final statements for emotional arc.
How to use it
Feature this as a solo recital opener or as part of a standards-focused concert segment. The single-page format works beautifully in chamber concerts where jazz standards share the program with classical repertoire, demonstrating the horn's versatility across genres.
Skills your students will build
Jazz phrasing and conversational melodic line singing
Rubato and flexible time management without accompaniment
Dynamic control in the middle and upper-middle register
Vibrato application and intensity modulation for expressive playing
Interpretation of standard repertoire from the American Songbook
You May Also Like
Scan to Complete Your Purchase
Use your phone's camera to scan the code below
You'll log in on your phone and the order will be added to your account
