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Spain: Jazz Ensemble Conductor Score & Parts

By Chick Corea / As performed by Bill Watrous / Arranged by John La Barbera

Grade: 5

Item: 35-PK00132054

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Description
This monster arrangement is the authentic version as recorded by Bill Watrous and his "Manhattan Wildlife Refuge" in the mid '70s. The signature lines and blazing tempo of Chick Corea's classic are transformed into a roaring chart for big band by master arranger John La Barbera. (Alto 1 doubles Flute, and Alto 2 doubles Soprano Sax)

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00132054

More about this title

About the Composer: Chick Corea

Chick Corea stands as one of the most influential pianists and composers in jazz history, with a career spanning from the 1960s fusion revolution through decades of continued innovation. His work bridges acoustic and electric traditions, classical training and bebop vocabulary, making him essential listening for any ensemble interested in understanding how jazz composition evolved. Spain exemplifies his gift for writing memorable, singable melodies that work equally well in small group or big band contexts.

Why we love this

John La Barbera's orchestration captures the burning energy of the original without losing the tune's harmonic sophistication or the architecture that made it a standard. Grade 5 big band writing is rarely this musically substantial; you get a piece that challenges your section leaders and ensemble blend while delivering the visceral satisfaction of a swinging chart that audiences recognize immediately.

What to expect

Infectious and unstoppable. The chart swings hard from the first bar, layering saxes and brass in ways that build momentum through every chorus. You feel the heat of a working New York jazz band from an era when fusion meant serious musicians playing at full intensity.

Who it's for

Advanced high school and college jazz ensembles ready for professional level writing that expects solid section chops and rhythmic maturity. Directors programming a repertoire list that includes both standards and big band staples will find this fills a real need: a piece that satisfies musicians seeking substance and audiences seeking accessibility.

How to get the most out of it

  • Nail the tempo first in sectionals. The "blazing" character La Barbera references depends on confident time; if the tempo wavers, the whole arrangement loses its propulsive energy.
  • Balance the doubling lines carefully. With altos covering flute and soprano parts, the texture can thicken unexpectedly; clarity in the upper woodwinds matters as much as power from the brass.
  • Push the comping rhythms in your rhythm section to feel behind the beat slightly. This style demands the kind of relaxed pocket that makes a big band swing.
  • Listen to the Bill Watrous recording multiple times before rehearsals begin. Hearing La Barbera's voicings and the original's spirit will inform every section's interpretation.

How to use it

Slot this into a concert celebrating jazz standards and big band tradition, perhaps pairing it with other Corea or contemporary jazz composers. It also works perfectly as a showcase closer; the combination of a familiar melody and a muscular arrangement guarantees both rehearsal engagement and applause.

Skills your students will build

  • Swing feel and time feel at moderately fast tempos
  • Reading and executing La Barbera's contemporary big band voicings
  • Sectional blend and balance within jazz textures
  • Understanding arranging principles: how a composer's original transfers to ensemble orchestration
  • Listening and responding to rhythm section comping in real time

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