Southwind: Concert Band Conductor Score & Parts
Arranged by Michael Sweeney
Grade: 1
Item: 35-PK00307038
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Southwind - Conductor Score (Full Score) | $7.50 | |
| Southwind - Flute | $6.00 | |
| Southwind - Oboe | $6.00 | |
| Southwind - Bassoon | $6.00 | |
| Southwind - Bb Clarinet 1 | $6.00 | |
| Southwind - Bb Clarinet 2 | $6.00 | |
| Southwind - Bb Bass Clarinet | $6.00 | |
| Southwind - Eb Alto Saxophone 1 | $6.00 | |
| Southwind - Eb Alto Saxophone 2 | $6.00 | |
| Southwind - Bb Tenor Saxophone | $6.00 | |
| Southwind - Eb Baritone Saxophone | $6.00 | |
| Southwind - Bb Trumpet 1 | $6.00 | |
| Southwind - Bb Trumpet 2 | $6.00 | |
| Southwind - F Horn | $6.00 | |
| Southwind - Trombone/Baritone B.C. | $6.00 | |
| Southwind - Baritone T.C. | $6.00 | |
| Southwind - Tuba | $6.00 | |
| Southwind - Percussion 1 | $6.00 | |
| Southwind - Percussion 2 | $6.00 | |
| Southwind - Mallet Percussion | $6.00 | |
| Southwind - Timpani | $6.00 |
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Description
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More about this title
About the Arranger: Michael Sweeney
Michael Sweeney has shaped the landscape of accessible band literature for decades, with a gift for taking folk melodies and chamber works and reimagining them for young ensembles. His arrangements consistently honor the integrity of source material while building in the pedagogical scaffolding that second and third year students need to grow as musicians.
Why we love this
Sweeney's treatment of this Irish ballad resists the temptation to oversimplify. Every section gets meaningful melodic content, and the harmonic language moves with quiet sophistication beneath the surface. For a Grade 1 ensemble, this teaches students that accessibility and musical substance are not opposing forces.
What to expect
Quiet yearning wrapped in tender harmonies. The melody carries both wistfulness and warmth, moving through the band like a voice passing between friends sharing a memory. There's gentleness here, never sentimentality.
Who it's for
Second year concert bands and select high school ensembles building repertoire that demands musical maturity without technical extremes. Directors seeking a piece that gives every section something real to play and sing about.
How to get the most out of it
- Balance the melody across sections carefully. Because multiple voices carry the tune, blend becomes as important as tuning, particularly in the woodwind choir passages.
- Shape the piece through dynamic control rather than tempo variation. Sweeney's harmonic shifts work best when you let the music breathe through soft and loud, not fast and slow.
- Listen for the emotional weight in the accompaniment. The supporting voices create the homesickness and longing of the ballad; don't let them sink into the background.
How to use it
Place this as a centerpiece in a concert celebrating folk traditions or cultural music. It pairs naturally with other world music selections and creates a reflective moment that audiences lean in to hear. Consider programming it early in the season to build confidence in younger players while establishing the band's ability to shape lyrical phrases.
Skills your students will build
- Balancing melodic lines across multiple sections
- Sustaining soft dynamics with clear tone
- Shaping harmonic progressions through subtle dynamic shifts
- Reading and performing accompaniment that supports rather than doubles the melody