Sound The Bells Of Christmas: String Orchestra Conductor Score & Parts
By James Curnow
Grade: 2
Item: 35-PK00194934
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About the Composer: James Curnow
James Curnow is a prolific composer and arranger whose output spans concert band, wind ensemble, orchestra, and chamber music. His compositions are staples in school music programs at every level, known for combining musical substance with accessible writing that respects student musicians' abilities. Curnow's gift for crafting engaging melodies and clear textures has made his work an essential resource for directors seeking repertoire that sounds mature while remaining technically manageable.
Why we love this
Curnow threads four beloved bell carols into a single, cohesive narrative without sacrificing the identity of any tune. The arrangement balances fullness of sound with transparency, so even a developing string section will project the melodic beauty these pieces deserve. It's exactly the kind of opener that lifts a holiday concert from pleasant to genuinely memorable.
What to expect
Warm and luminous, like standing in a church at dusk while bells toll overhead. The writing captures both the reverence and the gentle joy of holiday bells, shifting between gentle accompaniment patterns and fuller moments where the entire section rings in unison. There's a contemplative quality beneath the festive surface; this isn't rushed or hyperactive, but thoughtful and gracious.
Who it's for
String orchestras at the early intermediate level (Grade 2) looking for polished holiday material that requires minimal rehearsal overhead. Directors who want something festive without resorting to simplified versions of standard arrangements will find real musicality here. This works equally well for concert orchestras, advanced middle school ensembles, or community strings programs.
How to get the most out of it
- Establish the bell motif early in rehearsal by isolating the accompaniment patterns in each carol. Once your students hear how the supporting voices create that characteristic shimmer, they'll understand their role in painting the soundscape.
- Shape each carol's opening with a clear but unhurried tempo. These pieces benefit from breathing room that allows the familiar melodies to register with the audience before the texture fills out.
- Balance the melodic line across your section leadership. Mark who carries the tune in each carol during sectional rehearsals so transitions feel inevitable rather than abrupt.
- Let the final moments breathe. The closing measures work best when there's space around the final bell image, allowing the resonance to settle naturally.
How to use it
Open your winter concert with this piece. It sets a sophisticated, holiday tone immediately and shows audiences what your string program can do musically without demanding excessive technical display. Alternatively, use it as the final selection on a program built around carol arrangements at different styles, or pair it with a contrasting secular piece to create balance within a holiday-themed concert.
Skills your students will build
- Maintaining rhythmic stability while accompanying a moving melodic line
- Voicing and balancing polyphonic textures across the string section
- Shaping sustained tones to support melodic phrases in neighboring parts
- Adjusting tone color and articulation to enhance the character of each carol
- Transitioning between distinct musical sections with clarity and momentum