Sound Stories Round the Year Cover Image

Sound Stories Round the Year: Book & Online PDF

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Sound Stories Round the Year Cover Image

Sound Stories Round the Year: Book & Online PDF

Folk Tales, Fables, and Poems for the Music Classroom

By Karen Farnum Surmani and Anna Wentlent

Grade: 1--5

Item: 00-42788

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Description
It's storybook time in music class! This useful collection adds instrument playing and sound exploration to well-known literature. The 16 sound stories have been thoughtfully organized by season, providing a choice for every month of the school year. Included are "The Spider and the Fly," "The Legend of the Poinsettia," "Babe, the Blue Ox," "The Tortoise and the Hare," and more. For convenience, each story is included as a PDF accessible online, allowing you to easily project it or print student copies. Recommended for grades 1--5.

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Additional Details
Publisher: Alfred Music
Page Count: 52
ISBN10: 1-4706-1698-X
ISBN13: 978-1-4706-1698-4
UPC: 038081469935
SKU: 00-42788

More about this title

About the Author: Karen Farnum-Surmani

Karen Farnum-Surmani

Karen Farnum-Surmani brings decades of experience in early childhood and elementary music education to her work as Early Childhood Acquisition Editor and Vocal Masterworks Editor at Alfred Music. She holds a Bachelor of Music in Vocal Performance from California State University, Northridge, and a Master's in Music Education from the University of Southern California. Her credentials include Orff certification and specialized training in early childhood development, alongside a professional singing career.

As both a classroom educator and published author, Farnum-Surmani has shaped curricula and materials used across elementary, middle, and university settings. Her publications span vocal technique, music theory, and classroom repertoire. She maintains active involvement with the American Orff-Schulwerk Association, Music Educators National Conference, the Organization of American Kodaly Educators, and the Early Childhood Music and Movement Association.

Why we love this

Integrating stories with instrument play and sound exploration transforms music class into storytelling theater without requiring elaborate props or performance skill. The seasonal organization means you have immediate, ready-to-teach material for any month, and the online PDF format eliminates printing logistics while still allowing full classroom access. These narratives engage elementary listeners in ways that pure music instruction alone cannot.

What to expect

These stories come alive through layers of sound: chirping crickets and rustling leaves accompany the spider spinning her web; a tortoise plods while a hare scurries. Students hear how music becomes a character itself, creating atmosphere and emotion without words. The collection balances playfulness with genuine musicality.

Who it's for

This collection is designed for elementary general music teachers working with grades 1 through 5. It works equally well in classroom settings where students have limited instrumental experience and in established music programs where students already play melodic instruments.

How to get the most out of it

  • Assign different instrument families (percussion, melodic, unpitched) to different characters or parts of the story; this gives every student a clear role and keeps them engaged throughout the narrative.
  • Read the story aloud first without instruments so students understand the plot and can predict where sound effects will land before they begin playing.
  • Have students create their own sound choices for key moments rather than prescribing instruments; this builds ownership and encourages creative listening.

How to use it

Anchor each month's general music instruction around the story for that season, using it as the central lesson and springboard for related rhythm, melody, or listening activities. You might also string several stories together for a winter concert or end-of-year celebration, turning classroom learning into a public performance opportunity.

Skills your students will build

  • Sound symbolism and program music listening
  • Instrument selection and tonal color matching
  • Following a narrative arc while playing instruments
  • Ensemble awareness and listening to other players
  • Creative sound design and cause-and-effect thinking

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