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Sound Percussion: An Intermediate Method for Individual or Group Instruction: Teacher's Book & Online Media

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Sound Percussion: An Intermediate Method for Individual or Group Instruction Cover Image

Sound Percussion: An Intermediate Method for Individual or Group Instruction: Teacher's Book & Online Media

Exercises for Rhythm, Meter, Rudiments, Rolls, Effects, and Performance

By Dave Black and Chris Bernotas

Item: 00-47315

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Description
Part of the Sound Innovations family, Sound Percussion fills the need for a comprehensive percussion method that provides a clear progressions of notes, rhythms, and skills that can be used for group or individual lessons. Sound Percussion has a clear and flexible approach with plenty of reinforcement. Books are available: Teacher's Score * Snare Drum and Bass Drum * Mallet Percussion * Timpani * Accessory Instruments.

Sound Percussion contains seven sections covering everything from setting up the instruments to percussion ensemble performance. Sections include: Sound Preparation * Sound Rhythm * Sound Meter * Sound Rudiments * Sound Rolls * Sound Effects * Sound Performance. Directors can work through the book(s) progressively, or jump from section-to-section in order to address the specific educational needs of their students. The mallet book, however is more sequential by nature of note introduction.

Skills are introduced with a backward-by-design approach. Learning goals are first identified, and then exercises are logically designed with obtainable steps that lead you toward achieving that goal. This is particularly helpful for mallet note recognition and snare drum rolls.

Sound Percussion is a comprehensive resource that's perfect for teaching your students the fundamentals necessary to becoming well-rounded percussionists. This title is available in MakeMusic Cloud.

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2 049 Ex 278 --:--
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013 Ex 128

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Additional Details
Series: Sound Innovations: Sound Percussion
Publisher: Alfred Music
Page Count: 280
ISBN10: 1-4706-4079-1
ISBN13: 978-1-4706-4079-8
UPC: 038081541549
SKU: 00-47315

More about this title

About the Authors

Dave Black
Dave Black is a percussionist and composer who holds a Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and productions, establishing himself as a prolific creator of original works and arrangements.

With over 60 compositions and arrangements published by major music publishers, Black has earned significant industry recognition. His accolades include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation certificates, the Percussive Arts Society President's Industry Award, a Modern Drummer Readers Poll award, two Drum! Magazine Drummie! awards, and a Gold Record certification for Alfred's Drum Method, Book 1. His compositions have also been featured in television shows and films, including the movie Drumline.

As one of the world's best-selling percussion authors, Black has written or co-authored more than 30 books. His works include Alfred's Drum Method, currently the world's leading percussion method book, and Sound Innovations for Concert Band. His books and compositions are performed and used by musicians globally, with combined sales exceeding two million units.

Chris Bernotas

Why we love this

This method's backward-by-design approach means you identify the learning goal first, then work through logically sequenced exercises that actually get your students there. The flexible structure lets you work straight through or pick specific sections based on what your ensemble needs right now, making it equally effective for a traditional concert band percussion section or an independent percussion class. Seven focused sections move from instrument setup through ensemble performance, giving you a coherent roadmap without forcing a rigid order.

What to expect

Sound Percussion reads like a conversation between an experienced teacher and a student, never rushing past the basics but also never condescending. The systematic approach builds genuine confidence as students move from preparing their instruments to performing ensemble pieces, each step earning the next one.

Who it's for

This teacher's book serves band directors managing a multi-percussion section, independent percussion studio instructors, and schools with dedicated percussion ensembles. It works equally well for group instruction in a band setting or one-on-one lessons across all percussion instruments covered.

How to get the most out of it

  • Start with the Sound Preparation section to ensure students have proper grip, posture, and instrument setup before moving to technique work. This foundation prevents bad habits from taking root.
  • Use the backward-by-design scaffolding in the mallet section intentionally. Since note recognition is introduced sequentially, resist the temptation to skip ahead; the progression is deliberate.
  • Assign specific sections to different students based on their instrument focus. One student can work through Sound Rudiments while another progresses through Sound Rolls, then come together for Sound Performance pieces.
  • Return to Sound Rhythm and Sound Meter sections throughout the year as reinforcement tools rather than one-time lessons. These concepts deepen with repeated engagement.

How to use it

Use this as your primary text for developing percussionists from intermediate level onward, whether you're teaching within band rehearsals or in a dedicated percussion class. The online media and flexible section structure make it ideal for addressing specific ensemble needs mid-season without losing your place in the larger curriculum. Program the Sound Performance pieces into your concert calendar as milestones that mark technical progress.

Skills your students will build

  • Proper grip, posture, and instrument setup across multiple percussion instruments
  • Snare drum rolls with control and consistency
  • Mallet technique and note recognition on pitched percussion
  • Rhythm reading and meter awareness in varied time signatures
  • Percussion rudiments and their application
  • Ensemble balance and communication in percussion sections
  • Reading and interpreting percussion notation
  • Accessory instrument technique and context awareness

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