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Sound Innovations for Concert Band, Book 1: Piano Acc. (Instrumental) Book

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Sound Innovations for Concert Band, Book 1 Cover Image

Sound Innovations for Concert Band, Book 1: Piano Acc. (Instrumental) Book

A Revolutionary Method for Beginning Musicians

By Robert Sheldon, Peter Boonshaft, Dave Black, and Bob Phillips

Item: 00-34546

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Description
Sound Innovations for Concert Band, Book 1 is the most comprehensive and thoughtfully designed method book for beginning band students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads in order to fast-track musical literacy. The starting pitch is concert D for easy ranges and fingerings. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra full concert band pieces, instrument-specific instructional videos, and more—all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, chorales, rhythm pages, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1 is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI Extras—exercises set to immersive soundtrack accompaniments from blockbuster superhero films including Wonder Woman, Batman, Superman, Black Adam, and more!

Sound Innovations for Concert Band, Book 1: Piano Acc. (Instrumental) Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Sound Innovations for Concert Band
Publisher: Alfred Music
Page Count: 76
ISBN10: 0-7390-6741-9
ISBN13: 978-0-7390-6741-3
UPC: 038081383149
SKU: 00-34546
Instrumentation: Piano Acc.

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About the Authors

Robert Sheldon
Robert Sheldon ranks among today's most widely performed composers in the wind band repertoire. He serves as lead author of Sound Innovations for Concert Band and has built an international reputation for music that speaks powerfully to both performers and listeners. His compositions appear regularly on concert programs and competition lists worldwide.

His accolades include recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. Each year he produces numerous new publications and accepts commissions for additional works. In 2020, VanderCook College of Music honored him with a doctorate degree.

Sheldon's conducting career spans the globe. He frequently serves as guest conductor for All-State and Regional Honor Bands while simultaneously maintaining an active schedule as a clinician and educator. His presentations have reached audiences at colleges, universities, and state music education conferences throughout the United States and internationally in Japan, Canada, Italy, Germany, Australia, and China. His compositions have been performed at prestigious venues including Carnegie Hall, Orchestra Hall, Boston Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts.
Peter Boonshaft
Peter Loel Boonshaft stands among today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he has earned invitations to speak and conduct throughout the United States and internationally. His influential "Boonshaft's Blog" reaches music educators worldwide with practical insights and inspiration.

His accolades reflect a career of exceptional impact. Boonshaft received the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. He holds membership in Pi Kappa Lambda and Alpha Chi honor societies and has been named an NEA Artist in Residence three times. The University of Hartford, where he is Professor Emeritus, awarded him both the Regent's Award (twice) and the Outstanding Music Educator Award. Additional recognitions include honorary life memberships in the Tri-M Music Honor Society, the Al G. Wright Award of Distinction from Women Band Directors International, and selection as a Scholar at Hofstra University's Center for Scholarly Research and Academic Excellence.

Boonshaft's educational credentials include a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts degree, complemented by a Certificate from the Kodály Musical Training Institute. He previously taught at Moravian College and the University of Hartford, and founded both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. His service has earned official proclamations from five state governors and recognition from former Presidents Reagan and Clinton, as well as from President and Mrs. George H. W. Bush and former British Prime Minister Margaret Thatcher.
Dave Black
Dave Black is a percussionist and composer who earned his Bachelor of Music in percussion performance from California State University, Northridge. Throughout his career, he has performed and recorded internationally with renowned entertainers and theatrical productions, building a reputation as both a skilled performer and creative musician.

As a prolific composer and arranger, Black has published over 60 works through major music publishers, many of which have been recorded professionally. His achievements include 26 consecutive ASCAP Popular Composer Awards, two GRAMMY Award participation certificates, the Percussive Arts Society President's Industry Award, and a Modern Drummer Readers Poll award. His compositions have been featured in television shows and films, most notably in Drumline.

Black stands among the world's best-selling percussion authors, having written or co-written more than 30 books, including Alfred's Drum Method and Sound Innovations for Concert Band. Alfred's Drum Method, Book 1 achieved Gold Record certification for sales exceeding 500,000 copies. His educational materials have reached millions of young musicians globally, with combined book and music sales totaling two million units.
Bob Phillips
Bob Phillips, born in 1953, stands as a pioneering figure in string education. A composer, author, pedagogue, and conductor, he has shaped how strings are taught through innovative approaches to large group instruction and diverse musical styles. His educational materials and compositions reach thousands of student musicians annually across classrooms worldwide.

Phillips has created more than 25 book series for classroom use, most notably the complete Sound Innovations series and groundbreaking eclectic style collections including Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. With over 200 published works for orchestras and bands, he is an award-winning ASCAP composer whose pieces appear regularly on Midwest Clinic programs. His instructional DVDs, String Clinics to Go, have become teaching resources for thousands of educators.

Over 27 years in Saline, Michigan, Phillips built a nationally recognized string program serving more than 700 students in both classical and eclectic repertoire. He founded and directed the Saline Fiddlers Philharmonic, an ensemble that earned international acclaim while performing over 80 concerts annually, including multiple appearances at the White House and Midwest Clinic. Phillips has conducted extensively with youth and all-state orchestras across the country, served as assistant music director and arranger for the professional ensemble Barrage 8, and spent 12 years as resident conductor and arranger for the Wintergrass Festival in Seattle.

Why we love this

This accompaniment book anchors Sound Innovations' thoughtful pedagogical design by giving pianists exactly what they need to support emerging ensemble players. The method's clean page layouts and carefully sequenced skill progression rely on the pianist to lock the ensemble's tempo, intonation, and musicality from day one, making this book essential to the entire program's success.

What to expect

Clean, supportive, and musically rewarding. The accompaniments sit behind the ensemble rather than overwhelming it, leaving plenty of room for student voices to emerge and grow. You will feel the shift in the room as the band gains confidence and begins to understand what it means to play together as a unified voice.

Who it's for

Music teachers and band directors who are implementing Sound Innovations for Concert Band with a pianist or accompanist. Whether you are the pianist yourself or training a student pianist to support your ensemble, this book is your roadmap for translating the method's pedagogical vision into sound.

How to get the most out of it

  • Reference SI Online's slowed-down and looped accompaniment tracks to hear the intended interpretation for each exercise; use these as a model for how to shape phrases and support the students' entrances.
  • Watch the ensemble, not just the page, especially during the first six levels. Your role is to breathe with the band and gently guide their tempo choices, so be responsive to their physical readiness.
  • Explore the diverse musical styles embedded in the method by adjusting your touch and pedal work for each idiom. A march accompaniment requires clarity and rhythmic precision; a chorale asks for legato support and breath awareness.
  • Use the companion worksheets and theory pages available on SI Online to understand the harmonic foundation beneath each piece. Knowing the function of each chord helps you voice the accompaniment transparently and support the students' listening.

How to use it

Use this book from the very first rehearsal of your beginning band year. The six-level structure with benchmarks and assessment indicators gives you a shared language with your students and gives your pianist or yourself a clear progression to follow. The included SI Online resources allow you to differentiate rehearsal time, extend learning at home, and track progress across the school year.

Skills your students will build

  • Reading note names without visual cues in the noteheads
  • Playing in concert D with age-appropriate ranges and secure fingerings
  • Responding to pianist-led tempo and intonation in ensemble settings
  • Understanding harmonic function through accompaniment that reinforces chord progressions
  • Developing musicality across diverse styles: marches, chorales, folk tunes, and contemporary pieces
  • Following multi-level benchmarks and self-assessing progress within structured learning goals

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