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Sound Artistry Intermediate Method for Clarinet: Clarinet Method Book

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Sound Artistry Intermediate Method for Clarinet: Clarinet Method Book

By Peter Boonshaft and Chris Bernotas in collaboration with Dr. Margaret Donaghue

Level: Intermediate

Item: 00-50755

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Description
Sound Artistry supports musical growth, enhancing technical and expressive skills. Backed by collaborative partners and specialist teachers, this comprehensive book features lessons suitable for intermediate to advanced players with a focus on instrument-specific exercises---perfect for use after any method book to bridge the gap to instrument-specific conservatory methods. It emphasizes skill reinforcement, individual progress, and diverse exercises including scales, arpeggios, technical exercises, etudes, and duets.

This book progresses through various meters and every key and includes a detailed fingering chart. Elevate your musicianship, technique, and artistry with this valuable resource, part of the revolutionary Sound Innovations series.

Sound Artistry Intermediate Method for Clarinet focuses on skills that all intermediate clarinet players need to develop. Some highlights of the skills and concepts included are:

* Tone and intonation
* Left and right pinky keys
* Resonance fingerings
* Chalumeau register
* Altissimo register
* Chromatic fingerings and 1+1 B-flat
* Break studies
* Fingering suggestions
* Grace notes
* Trills
* Flexibility
* Phrasing
* Tips for success.

Written by Peter Boonshaft and Chris Bernotas in collaboration with Dr. Margaret Donaghue, Professor of Clarinet and Director of the Woodwind Program, Frost School of Music (University of Miami).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Artistry Intermediate Method for Clarinet: Clarinet Method Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations Sound Artistry
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-6653-7
ISBN13: 978-1-4706-6653-8
UPC: 038081585147
SKU: 00-50755

More about this title

About the Composer: Peter Boonshaft

Peter Boonshaft

Peter Boonshaft stands as one of the most influential voices in contemporary music education. His work spans decades of advocacy for music programs, earning him the inaugural George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All. As Professor Emeritus at Hofstra University and Director of Education for Jupiter Band Instruments, he has shaped curriculum and inspired educators across all fifty states and internationally. His credentials include a Doctor of Musical Arts degree, Kodály Institute certification, and honors from the National Endowment for the Arts.

Beyond his academic appointments at Moravian College and the University of Hartford, Boonshaft founded and directed the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble, establishing himself as a champion of ensemble excellence. His influence extends through his weekly blog for music educators, professional recognition including Pi Kappa Lambda and Alpha Chi memberships, and official acknowledgment from five state governors.

Why we love this

This method bridges the critical transition from foundational band texts to conservatory-level clarinet study. Written in collaboration with Dr. Margaret Donaghue, a clarinet specialist at the Frost School of Music, the book addresses the exact technical demands intermediate players encounter: altissimo fingerings, resonance options, left and right pinky mechanics, and break studies. The progression through every key and meter, paired with genuine artistry instruction in phrasing and tone, makes this far more than a technical drill book.

What to expect

Purposeful and precise. Every exercise lives somewhere on the spectrum between technical challenge and musical expression, never existing purely as finger work. The progression feels cumulative; you're building ownership of the entire clarinet family, from the dark richness of the chalumeau to the singing clarity of the altissimo, with genuine guidance on how each register wants to sound.

Who it's for

Intermediate clarinetists who have completed a foundational method and are ready to deepen their command of the instrument's full range, tonal palette, and technical vocabulary. This book serves clarinetists preparing for youth orchestra auditions, high school band advancement, or private lesson study with a specialist teacher who expects sophisticated fingering choices and intonation awareness.

How to get the most out of it

  • Approach the chalumeau register exercises with the same attention to resonance and intonation you give the upper register; many students neglect this voice, but it's essential for unified sound across all three registers.
  • Use the fingering suggestions and chromatic exercises to experiment with alternate fingerings in context before committing to one choice; flexibility in fingering options builds problem-solving skills you'll need in solo repertoire.
  • Work the break studies systematically, isolating the register transitions with long tones before playing them as written; the break is often the first place intonation and tone quality suffer.
  • Apply the phrasing tips and grace note guidance to the etudes themselves, not just to concert music; this method teaches artistry alongside mechanics.

How to use it

Use this as the primary study text for your strongest clarinetists during the intermediate to advanced years, whether in private lessons, sectionals, or honors band contexts. The duets and etudes provide substantial material for recital preparation, while the systematic key and meter coverage ensures you can target whatever technical work your students need for their solo repertoire.

Skills your students will build

  • Tone and intonation across the full range of the clarinet
  • Altissimo register fingerings and tone production
  • Chalumeau register resonance and voice quality
  • Left and right pinky key mechanics and independence
  • Chromatic fingerings and alternate fingering options (1+1 B-flat technique)
  • Break studies and secure register transitions
  • Reading in all major and minor keys
  • Mixed meter navigation (various time signatures)
  • Articulation of grace notes, trills, and ornaments
  • Flexibility exercises for tone control and intonation adjustment
  • Phrasing and musical expression at the intermediate level

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