Soul Man: SATB Choral Octavo
Words and music by Isaac Hayes and David Porter / arr. Kirby Shaw
Item: 00-PO-0001084
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Issac Hayes
Isaac Hayes (1942-2008) was a legendary soul musician, composer, and arranger who shaped the sound of Stax Records during its golden era. His deep, spoken-vocal delivery and lush orchestral arrangements became signatures of 1960s soul music, influencing generations of artists across soul, funk, and hip-hop. Hayes co-wrote "Soul Man" with David Porter, a track that became an instant classic and earned him recognition as one of the most distinctive voices in American popular music.
Why we love this
Kirby Shaw's arrangement captures the swagger and energy of the original without losing the song's accessibility for younger singers. The piece delivers that perfect balance of fun energy and genuine musicianship; your choir will feel like they're part of something cool, not just performing a novelty song. Programming this creates a moment audiences actually anticipate and sing along with, which makes the choral concert feel alive and connected to real music.
What to expect
Funky, confident, and undeniably fun. The arrangement sits in that sweet spot where soul music lives: sophisticated enough for serious musicians but straightforward enough to swing hard and feel great in the body. Singers experience the satisfaction of nailing tight rhythmic precision while delivering a song that sounds effortless and cool.
Who it's for
Choirs at the middle school through adult level looking for contemporary repertoire that has genuine historical weight and audience recognition. This works especially well for groups seeking secular, high-energy material that showcases strong rhythm section work and gives singers permission to perform with swagger rather than formality.
How to get the most out of it
- Shape the rhythmic groove with precision in the rhythm section and bass line; the pocket matters more than perfection on every note
- Build intensity gradually from the first verse into the refrain, using dynamic contrast to earn the big moments rather than starting at full power
- Balance the lead or solo section (if your arrangement includes one) so the lyrics remain conversational and not overshadowed by full SATB harmony
- Keep the energy consistent in repeated sections; repetition in soul and pop music asks for confidence and commitment, not variation for its own sake
How to use it
Position this mid-concert to shift energy and remind your audience this is a living, breathing art form. It pairs naturally with other pop or movie-featured repertoire and works especially well as a closer or penultimate number when you want the room energized. Consider pairing it with live rhythm section players if your ensemble has access to them; the SoundTrax accompaniment offers a solid foundation, but a real combo elevates the authenticity.
Skills your students will build
- Singing syncopated rhythms with accuracy and pocket awareness
- Balancing individual voice parts against a strong rhythmic groove
- Sustaining energy and ensemble blend across repeated sections
- Interpreting soul and funk articulation (matching the style's characteristic attack and phrasing)
- Responding to and locking with a rhythm section or accompaniment track