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Soul Man: Jazz Ensemble Conductor Score

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Soul Man Cover Image

Soul Man: Jazz Ensemble Conductor Score

Arr. Roy Phillippe

Grade: 2 (Medium Easy)

Item: 00-JE9641C

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Description
The Sam and Dave/Blues Brothers R & B standard is perfect for jazz ensemble! Big brass sounds and saxophone hits accent this great chart from Roy Phillippe. (duration 2:20)

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
Page Count: 12
UPC: 029156213331
SKU: 00-JE9641C

More about this title

About the Arranger: Roy Phillippe

Roy Phillippe

Roy Phillippe studied composition and orchestration at Kent State University, then deepened his craft under Phil Rizzo, a key theorist and arranger for the Stan Kenton Jazz Orchestra. Based in Los Angeles since the mid-1970s, he has written arrangements performed by Count Basie, the L.A. Express, and numerous symphony orchestras, while maintaining an active career scoring for film and television.

Phillippe's published works span jazz ensemble, concert band, and orchestra literature; his arrangements are played by student and professional ensembles worldwide. He has served as editor of Henry Mancini's film scoring text and holds memberships in ASCAP, JEN, and the American Federation of Musicians, bringing decades of professional arranging experience to every score.

Why we love this

Phillippe captures the groove and energy of 'Soul Man' without overcomplicating it. The brass and saxophone writing sits perfectly for Grade 2 ensembles, giving players real parts to lock into while the 2:20 duration keeps momentum tight and the audience engaged.

What to expect

Pure soul and swagger. The arrangement captures the infectious groove of the original, with brass stabs and sax accents that trade off in conversation. It's an earworm that swings hard while staying grounded in a style young musicians can feel in their bones.

Who it's for

Jazz ensemble conductors working with Grade 2 players who want an accessible, high-energy classic that feels authentic and fun. The arrangement works well for schools building their jazz program, as it demands secure ensemble playing without requiring advanced soloists or complex harmonies.

How to get the most out of it

  • Lock the rhythm section (bass, drums, piano if available) into the pocket before the ensemble enters; this chart lives in the space between the beat, not on top of it.
  • Isolate the saxophone section to nail the hits and rhythmic punctuation that drive the arrangement; these moments define the track's character.
  • Balance the brass so the lead voices punch through without drowning the ensemble. The big sound comes from clarity, not volume.
  • Bring the recording to rehearsal and let the ensemble hear the original groove first; students will internalize the feel and make better choices about phrasing and swing.

How to use it

Open a pops concert or jazz showcase with this one; the audience recognizes it immediately, and the energy sets the right tone for the rest of the program. It also pairs well with other Blues Brothers material or classic R&B standards if you're building a themed set.

Skills your students will build

  • Locking into a rhythm section groove and maintaining steady time
  • Articulating brass and saxophone hits with precision and unity
  • Balancing ensemble texture so featured lines cut through the mix
  • Understanding swing feel and phrasing in R&B and soul idioms
  • Reading a full jazz ensemble score with multiple independent lines

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