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Soul Chicken: Jazz Ensemble Conductor Score & Parts

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Soul Chicken Cover Image

Soul Chicken: Jazz Ensemble Conductor Score & Parts

By Kris Berg

Grade: 2.5

Item: 00-50946

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Description
A very soulful alto sax 1 feature with a relaxed rock-flavored groove played around 86 BPM. Everything is written out for the alto including a suggested ad-lib solo section. Trumpet 1 range is to written G on top of the staff. An electric piano and bass will provide a nice texture. An outstanding chart for any performance. (4:05)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Soul Chicken: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Jazz Ensemble
Publisher: Alfred Music
ISBN10: 1-4706-6979-X
ISBN13: 978-1-4706-6979-9
UPC: 038081591681
SKU: 00-50946

More about this title

About the Composer: Kris Berg

Kris Berg

Kris Berg directs the jazz studies program at Collin County Community College in Texas, where he earned both his bachelor's and master's degrees in jazz studies from the University of North Texas. His ensembles have received multiple invitations to perform at the Montreux Jazz Festival, and he founded both the Collin Jazz Fest and the Texas All-Star Jazz Camp, establishing himself as a significant voice in jazz education and programming.

Berg's arrangements and compositions have circulated among professional and student musicians worldwide. As a prolific composer for Belwin Jazz (Alfred Publishing), he has worked extensively with clinicians and performers including Randy Brecker, Bob Mintzer, Clark Terry, and Kevin Mahogany. He remains active as a Yamaha artist and clinician while authoring instructional materials for jazz musicians.

Why we love this

Berg writes with genuine respect for the alto saxophone chair, crafting a feature that sounds accomplished without requiring soloists to overreach. The relaxed 86 BPM groove invites confident phrasing without rush, and the written solo section gives players a concrete model for what Berg hears while leaving room for personality. This is exactly the kind of chart that builds a section's confidence while sounding polished in performance.

What to expect

Soul Chicken swings with a relaxed confidence that sits somewhere between straight-ahead jazz and contemporary funk. The piece breathes with restraint; it's soulful without being precious, and the rock-flavored groove feels modern and engaging. You can picture the alto voice settling into the pocket alongside a locked-in rhythm section, then stepping forward with character when the solo arrives.

Who it's for

Jazz ensembles in the Grade 2.5 range with a strong enough alto and trumpet section to carry the feature, and ensembles looking for contest or festival repertoire that lands with sophistication and groove. The straightforward voicings and clear solo section make this accessible for school and community jazz groups.

How to get the most out of it

  • Let the electric piano and bass lock in first. Once that pocket is solid, the alto and trumpet will sit naturally around them and the groove will breathe.
  • The suggested ad-lib solo is written out, so address it in rehearsal as a starting point rather than a cage. Encourage the alto soloist to internalize the changes and ornament what's written rather than strictly read.
  • Keep the tempo steady at 86 BPM; the soulfulness comes from articulation and phrasing, not from pushing the beat.
  • Watch the trumpet's range through the chart. Written G on top means the part sits comfortably for developing players while still giving moments to shine.

How to use it

This chart works beautifully as a feature-driven opener or closer on a jazz concert, especially when you want to showcase your section leaders. Its 4:05 length makes it a solid anchor piece without consuming a large block of program time, and the contemporary groove appeals to audiences while maintaining musical substance. Contest programmers will find it lands well in the middle of a set.

Skills your students will build

  • Phrasing and articulation over a locked groove
  • Reading and executing ad-lib solo sections with compositional direction
  • Balancing featured soloists with ensemble support
  • Maintaining consistent tempo in relaxed rock-flavored feels
  • Developing section blend while trading solo space

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