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Sortilèges: Piano Book

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Sortilèges Cover Image

Sortilèges: Piano Book

By George Benjamin

Item: 12-0571506712

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Description
George Benjamin wrote Sortileges especially for Paul Crossley, to a commission for Northern Arts with funds provided by the Arts Council of Great Britain. Andrew Porter from The New Yorker called it '...fresh, beautifully constructed, harmonically bewitching, and sensitively written for the instrument.'

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50671-2
ISBN13: 978-0-571-50671-2
UPC: 9780571506712
SKU: 12-0571506712

More about this title

About the Composer: George Benjamin

George Benjamin is a British composer born in 1960 whose music combines rigorous modernist technique with lyrical expressiveness. His works are performed regularly by major orchestras and soloists worldwide, and he has held teaching positions at institutions including King's College London. Benjamin's compositional voice balances intellectual sophistication with genuine emotional communication, making his music accessible to audiences while remaining harmonically adventurous.

Why we love this

Sortilèges showcases Benjamin's gift for writing idiomatically for the piano while maintaining genuine harmonic intrigue. This is a piece that rewards close listening and repeat hearings; the surface clarity and lyricism draw listeners in immediately, but the underlying structural sophistication reveals itself gradually. Pianists find the work sits naturally under the hands despite its sophisticated musical language, making it an excellent choice for advancing students ready to engage with contemporary classical composition.

What to expect

Sortilèges unfolds like a musical spell, combining crystalline textures with harmonies that feel both surprising and inevitable. The piece balances moments of stillness and reflection with passages of quiet intensity, creating an intimate musical world that invites the listener into its particular harmonic and structural logic.

Who it's for

Advanced pianists and serious students comfortable with 20th-century harmonic language who are ready to tackle contemporary composition written with genuine pianistic understanding. This work is equally valuable for pianists preparing for conservatory auditions or recitals that feature modern repertoire.

How to get the most out of it

  • Allow the harmonic language to breathe; resist the impulse to rush through passages. Benjamin's construction often rewards slight time flexibility, particularly at phrase endings where the harmony shifts unexpectedly.
  • Pay attention to register and spacing in the opening material. The way notes sit on the keyboard contributes significantly to the piece's character, so maintain clarity between the hands and use the sustain pedal judiciously to enhance rather than blur the harmonic content.
  • Balance the lyrical elements with the underlying structural architecture. This piece moves between moments of repose and more energetic passages; ensure transitions feel inevitable rather than abrupt by attending to voice leading across registers.

How to use it

This work fits naturally in recitals that pair 20th-century and contemporary music with earlier traditions, offering audiences a serious engagement with modern pianistic writing without atonality or excessive difficulty. Consider programming it alongside late Romantic repertoire to highlight how contemporary composers build on harmonic language in fresh ways.

Skills your students will build

  • Reading and executing contemporary harmonic language
  • Maintaining rhythmic clarity while balancing lyricism
  • Understanding phrase structure beyond traditional tonal functions
  • Developing sensitivity to register and spacing as compositional elements
  • Interpreting dynamic and textural nuance in modernist writing

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