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Songs, Vol. 1 (High Voice): Voice & Piano

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Songs, Vol. 1 (High Voice): Voice & Piano

By Franz Schubert / ed. Max Friedländer

Item: 98-EP20A

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Description
This classic Edition Peters collection (for High Voice), an essential publication for any singer of art song, contains the most famous song cycles Die Schöne Müllerin op. 25 D795, Winterreise op. 89 D911 and Schwanengesang D957 as well as 34 other songs.

This famous edition, beloved of singers across the world, was edited by Max Friedlaender, who based it on a thorough examination of the sources both published and manuscript.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-01-400069-5
ISBN13: 979-0-01-400069-1
SKU: 98-EP20A

More about this title

About the Composer: Franz Schubert

Franz Schubert (1797, 1828) stands as one of the most prolific and influential composers in the Romantic era, despite his brief life. He fundamentally transformed the art song (Lied) from a modest form into a vehicle for profound emotional and musical expression, leaving over 600 songs that remain central to the vocal repertoire. His gift for melody was unmatched; he could spin a simple folk-like tune into something that feels both inevitable and deeply moving, while his harmonic language expanded what was possible in intimate musical settings.

Schubert's song cycles redefined how composers could use sequential pieces to build narrative and emotional arcs. He worked with some of the greatest poets of his time and brought their texts to vivid musical life, treating the piano part as an equal partner to the voice rather than mere accompaniment. For singers and teachers, Schubert's output represents an inexhaustible resource for understanding how to marry language, melody, and emotional truth.

Why we love this

The Friedlaender edition has earned its place in singers' studios because it combines scholarly rigor with practical musicality. Having three complete song cycles plus 34 additional works in a single volume means you're holding both a complete learning resource and a lifetime of performance material; singers return to these songs throughout their careers and continue discovering new depth.

What to expect

Schubert's song worlds are intimate and introspective, often centered on longing, nature, love, and loss. These pieces invite singers into deeply personal emotional spaces; the music feels conversational yet profound, grounded in simple beauty that contains surprising harmonic and structural sophistication.

Who it's for

This collection serves serious high voice singers preparing for art song recitals, voice students building foundational repertoire, and teachers designing curricula around the German Lied tradition. It's equally valuable for advanced undergraduates and professional singers seeking definitive sources.

How to get the most out of it

  • Study the cycle as a whole before isolating individual songs. The journey matters in Die Schöne Müllerin and Winterreise; understanding where a song sits in the arc informs phrasing and emotional weight.
  • Let the piano writing guide your interpretation. Schubert's accompaniments are never decorative; they establish mood, suggest character, and sometimes carry the emotional core of a phrase.
  • Honor the text scansion without forcing it. Schubert's rhythms often flow naturally with German language patterns, so trust the notation rather than imposing artificial regularity.
  • Take time with the modulations. Schubert shifts keys to change emotional temperature; these transitions need clarity and breath space to land.

How to use it

Build a full recital around a single cycle, or weave individual songs throughout a broader program to create thematic connections with other repertoire. These songs work beautifully as program anchors for lecture-recitals exploring Romanticism, the relationship between poetry and music, or the development of the Lied.

Skills your students will build

  • Interpretation of German text with musical sensitivity
  • Understanding song cycle structure and narrative arc
  • Collaboration with a pianist as a genuine musical partner
  • Managing extended performance across multiple songs
  • Harmonic analysis in the Romantic idiom
  • Stylistic authenticity in art song singing

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