Songs of Sailor and Sea: Piccolo
By Robert W. Smith
Grade: 4.5 (Medium)
Item: 00-PC-0002056_P1
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About the Composer: Robert W. Smith

Robert W. Smith ranks among America's most recorded and performed composers for concert band and orchestra, with over 400 published works distributed primarily through Alfred Music. He holds degrees from Troy State University and the University of Miami, and his symphonic works including The Divine Comedy and The Odyssey have resonated with audiences and ensembles across North America, Europe, Australia, and Asia.
Beyond the concert hall, Smith's music has soundtracked major cultural moments: presidential state ceremonies in Japan, Olympic broadcasts, the Macy's Thanksgiving Day Parade, and opening day at Dodger Stadium. His work for developing ensembles, particularly pieces like The Tempest, anchors band curricula nationwide. As both composer and clinician, he has conducted and taught extensively across the United States, Canada, Japan, Australia, and Europe.
Why we love this
Smith crafted this commissioned work as a fully realized narrative arc rather than a theme-and-variations sketch. Each movement unfolds with distinct musical character while maintaining instrumental cohesion across the full band; the percussion writing in particular creates vivid texture without overwhelming younger players. Programmatic concert band music at this grade level rarely balances storytelling so effectively with technical accessibility.
What to expect
The piece unfolds like a maritime documentary told through sound. Opening with the communal work songs of shipboard life, it shifts into something more mysterious and intimate during the whale passage, then surges into the kinetic thrill of racing clipper ships under full sail. Throughout, the ocean's presence remains palpable through rhythmic motion and textural wash.
Who it's for
This work suits strong Grade 4.5 bands preparing for contest or festival performance, as well as advanced Grade 4 ensembles ready for programmatic literature. Directors seeking concert pieces that engage both musicians and audiences through narrative structure will find the sea imagery and military commissioning context compelling for program notes and pre-concert talks.
How to get the most out of it
- Balance the narrative across all three movements by adjusting tempos slightly based on rehearsal acoustics; the 'Sea Chanty' needs enough space to breathe, while 'Racing the Yankee Clipper' demands rhythmic precision from the full ensemble.
- Study the expanded percussion parts independently before sectional rehearsals. Smith's percussion writing is integral to the imagery, not decorative, so percussionists need ownership of their material early.
- Mark dynamic transitions carefully in the score and parts. The shift from intimate 'Whale Song' to the climactic final movement requires clear conductor signaling to avoid abrupt energy loss.
How to use it
Program this as a standalone concert feature rather than pairing it with other descriptive works; its nearly eight-minute duration and three-movement structure give it weight as a centerpiece. The sea imagery and Navy Band heritage make it ideal for spring concerts, maritime-themed festivals, or concerts celebrating American instrumental heritage.
Skills your students will build
- Reading and performing rapid rhythmic figures in changing meters
- Balancing sectional independence with ensemble blend across 356 pages of full score
- Responding to programmatic cues through dynamic and textural shifts
- Executing extended percussion notation including specialized techniques
- Sustaining musical focus through a large-scale, multi-movement work