Songs Of A Disney Villain (Choral Medley) Sheet Music Preview

Songs Of A Disney Villain (Choral Medley): SAB Choral Octavo

Arranged by Alan Billingsley

Item: 35-DS00436457

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS00436457

More about this title

About the Arranger: Alan Billingsley

Alan Billingsley

Alan Billingsley has built a career crafting arrangements and original music across every medium imaginable: concert halls, theme parks, television studios, and Broadway stages. His ten original songs for the musical On Our Way showcase his gift for theatrical storytelling, while his long partnership with The Walt Disney Company has positioned him as a trusted voice in entertainment music. He has served as music director for NBC's "Days of Our Lives," mentored educators through Disneyland's "Magic Music Days" clinics, and seen seven of his compositions nominated for Grammy consideration.

Based in Los Angeles, Billingsley operates a fully digital recording studio and holds a degree in music and psychology from Indiana University. His arrangement work spans educational settings, commercial recordings, radio and television productions, and live performer tours across North America. This combination of Broadway experience, Disney expertise, and deep ties to music education makes him uniquely suited to capture both the drama and accessibility that singers crave.

Why we love this

Billingsley knows how to mine Disney's darkest characters for dramatic gold without losing the theatrical fun that makes medleys work. Each villain brings a distinct musical personality and vocal character to the arrangement, so your singers won't experience this as five isolated songs but as a cohesive journey through delicious villainy. The SAB voicing keeps it accessible while maintaining the arranging sophistication you expect from someone who has shaped music for theme parks and Broadway.

What to expect

Theatrical and mischievous. These are characters who command scenes through intelligence and charisma rather than goodness, so the music pulses with dark sophistication, seductive phrasing, and moments of genuine menace. Yet the medley format keeps things propulsive and entertaining rather than heavy.

Who it's for

Choirs hunting for a crowd-pleasing concert piece that doesn't require theatrical staging but delivers serious character work and vocal range. This medley appeals to singers who grew up with these films and relish the chance to inhabit a villainous persona without committing to a full musical production.

How to get the most out of it

  • Honor the distinct personality of each villain's section. Ursula demands sultry control; the Evil Queen needs sharp, crisp articulation; Mother Gothel thrives on conspiratorial intimacy. Shift your ensemble's tone and posture between sections rather than maintaining one character throughout.
  • Pay attention to the transitions between medley sections. These seams either disappear or become distracting based on how cleanly your singers execute rhythmic pivots and breath points. Mark them in rehearsal.
  • Balance the three-part texture so that the top line carries the melody without drowning out the harmonic foundation beneath it. SAB writing can blur if the middle and bottom voices retreat too far.

How to use it

Program this after a ballad or softer opening number to showcase your ensemble's range and personality. It's particularly effective in spring concerts where audiences expect both serious musicianship and entertainment value, and it pairs beautifully with other Disney repertoire or sits confidently on a concert of theatrical song arrangements.

Skills your students will build

  • Sustaining character consistency across multiple song sections
  • Navigating transitions in medley settings
  • Balancing melody with supporting harmony in three-part voicing
  • Executing dramatic phrasing and text expression
  • Reading and realizing theatrical musical intent

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