Songs of a Disney Hero: 2-Part Choral Octavo
As performed by John Jacobson / Arranged by Roger Emerson
Item: 35-PK00416979
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About the Arranger: Alan Billingsley

Alan Billingsley has shaped the sound of entertainment across multiple mediums, from theme park productions to network television. His work spans orchestration, composition, and arrangement across commercial recordings, broadcast media, corporate events, and educational publications. A long-standing creative partner with The Walt Disney Company, Billingsley has served as a clinician at Disneyland's Magic Music Days and brings that same collaborative energy to his educational arrangements.
Based in Los Angeles, Billingsley operates a fully digital recording studio and holds a degree in music and psychology from Indiana University. His compositions have garnered Grammy consideration, and his recent contributions include ten original songs for the Broadway-style musical On Our Way. He has worked as music director and pianist for the NBC series Days of Our Lives and has supported numerous touring artists and television performances throughout his career.
Why we love this
Billingsley's arrangement captures the theatrical warmth of Disney storytelling while keeping the vocal writing accessible for young singers. The 2-part texture allows mixed-age ensembles to participate fully, and his orchestration sensibility (honed through decades of professional work) means the accompaniment enhances rather than overwhelms. This feels like genuine concert music, not a novelty piece.
What to expect
Theatrical and warm without being saccharine. The Disney musical vocabulary feels natural here, built on strong harmonic writing and vocal lines that breathe. There's an accessibility that invites singers in rather than intimidating them.
Who it's for
Choirs of all levels working with young singers, middle school ensembles moving beyond unison, or mixed groups balancing experience levels. The 2-part voicing welcomes singers who are developing confidence in part-singing while still engaging experienced musicians.
How to get the most out of it
- Lean into the Disney theatrical style without oversinging. Billingsley's arrangements reward clarity and phrasing over belting.
- Use the dynamic contrast between the two parts to create dialogue. Part one doesn't always carry the melody.
- Rehearse the accompaniment separately first so singers can hear how their parts nestle into the orchestration.
- Let the winter/holiday context frame your interpretation without forcing it. The songs speak for themselves musically.
How to use it
Slot this into a winter or holiday concert where you want music that connects with audiences emotionally while showcasing your singers' developing artistry. The six-page length makes it a substantial mid-concert piece or a strong closer on a program alongside more challenging repertoire.
Skills your students will build
- Part-singing independence in 2-part texture
- Theatrical interpretation and character voice
- Blend and balance between harmonic lines
- Following accompaniment cues in modern orchestration
- Sustained legit singing with emotional storytelling