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Song and Polka: Saxophone Duo & Ensemble, Trio, Conductor Score & Parts

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Song and Polka: Saxophone Duo & Ensemble, Trio, Conductor Score & Parts

By Percy Hall

Grade: 2

Item: 36-50452001

$12.00
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Description
Originally written for three trumpets, Song and Polka has become so popular that the composer has written versions of the piece for flutes, clarinets, and saxophones. All versions have been written in the same concert key so virtually your entire band can rehearse at the same time. Some independence in rhythms is required, with each player getting a brief solo passage. The trio opens with a very short and simple eight measures of legato playing, and quickly moves into a moderate polka tempo and style. The polka begins with all playing the same rhythms, but branches into some independent rhythms. This is an excellent choice for a first trio experience in contest.

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Additional Details
Series: LudwigMasters Woodwind Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270013-8
ISBN13: 979-8-89-270013-9
UPC: 659359829628
SKU: 36-50452001
Instrumentation: Eb Alto Saxophone 1,2 and 3 (sub. Bb Tenor Saxophone)

More about this title

Why we love this

Song and Polka gives saxophonists a genuine chamber experience without demanding virtuosic technique. The piece balances collective unison passages with individual solo moments, making each player feel heard while keeping the ensemble cohesive. At Grade 2, it's the kind of repertoire that builds confidence in young chamber musicians and keeps them engaged through a complete musical arc.

What to expect

The piece opens with lyrical simplicity, giving the saxophones room to blend and breathe. Once the polka arrives, the mood shifts to rhythmic vitality and playfulness, with just enough independence to keep things interesting without losing cohesion.

Who it's for

Saxophone trios ready to tackle their first chamber music experience or contest preparation. This work suits programs that have multiple saxophone trios rehearsing simultaneously, since all the different instrumental versions sit in the same concert key.

How to get the most out of it

  • Shape the opening legato section with a consistent warm tone and careful attention to phrase endings; these eight measures set the character before the polka energy kicks in.
  • Maintain steady tempo through the transition between legato and polka sections so the style shift feels intentional rather than abrupt.
  • Highlight the rhythmic independence when it enters by ensuring each part remains secure in its own line while listening to the other saxophones.
  • Use the conductor score to rehearse the solo passages separately first, then combine them so each player gains confidence before performing with the full trio.

How to use it

Program this as a contest entry for chamber ensembles or weave it into a concert program where you want to spotlight your saxophone section's musicianship. It works particularly well in a concert that mixes solo and ensemble features, letting younger players experience both.

Skills your students will build

  • Balancing individual voice independence with ensemble cohesion
  • Legato phrasing and tone control in a chamber setting
  • Rhythmic precision when parts diverge from unison
  • Solo passage execution and confidence
  • Listening and responding to ensemble partners

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