Sonatinas, Book 5 Cover Image

Sonatinas, Book 5: Late Intermediate Piano Book

$13.95 USD
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Sonatinas, Book 5 Cover Image

Sonatinas, Book 5: Late Intermediate Piano Book

Edited by Helen Marlais

Item: 98-FJH2205

$13.95
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Description
ou will find refreshing repertoire for your Late Intermediate students in this book. Seven complete sonatinas written by Diabelli, Schmitt, Clementi, Chrétien, Gurlitt, Spindler and Agnesi comprise Book 5. Interesting text pages describe the evolution of music from the Baroque through Romantic period, and specific notes about the composer and each movement provide background and interpretive information. A two-page dictionary completes this 88-page volume.

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Additional Details
Series: Succeeding with the Masters & The Festival Collection
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61-928238-0
ISBN13: 978-1-61928-238-4
UPC: 24144439403
SKU: 98-FJH2205

More about this title

Why we love this

This collection bridges a critical gap in late intermediate repertoire by gathering sonatinas from composers whose forms shaped what the sonata became. The contextual essays and movement notes transform what could be a workbook into a history lesson, giving students genuine insight into why these pieces matter beyond technique.

What to expect

A journey through the classical and early romantic eras, where each sonatina reveals how composers approached form, melody, and expression within a compact framework. These pieces balance elegance with accessibility, rewarding careful attention to phrasing and dynamic shaping.

Who it's for

Late intermediate pianists ready to explore sonatina form across different compositional periods and national traditions. Teachers seeking structured repertoire that combines technical growth with historical understanding.

How to get the most out of it

  • Study the historical context provided before diving into each sonatina; understanding the composer's era will inform your interpretive choices about tempo and articulation.
  • Pay attention to the movement descriptions in the text. They often highlight which sections demand contrast and where rubato might enhance the character.
  • Work movement by movement rather than treating the entire sonatina as one arc; each movement has its own form and emotional shape.
  • Use the dictionary to clarify any performance markings unfamiliar to your students; late intermediate players benefit from building consistent vocabulary.

How to use it

Assign one sonatina per month across the school year as primary repertoire, allowing students to perform complete works in recitals. The breadth of composers also makes this ideal for themed programs exploring "sonata across centuries" or individual composer spotlights.

Skills your students will build

  • Three-movement sonata form (allegro, slow movement, minuet or rondo)
  • Baroque and Classical articulation and ornamentation
  • Hand independence in exposition and development sections
  • Sustaining musical narrative across complete works
  • Interpreting performance directions from different compositional eras
  • Harmonic analysis in classical forms

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