Sonatas, Vol. I: Nos. 1-7 Cover Image

Sonatas, Vol. I: Nos. 1-7: Piano, Collections, Book

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Sonatas, Vol. I: Nos. 1-7 Cover Image

Sonatas, Vol. I: Nos. 1-7: Piano, Collections, Book

By Franz Joseph Haydn, ed./arr. by Bela Bartok

Item: 36-M121191

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Béla Bartók, often in collaboration with Karl Hauser, completed a six-volume critical edition of Franz Joseph Haydn's (1732-1809) keyboard sonatas between 1918 and 1926 as part of a Klavierwerke von Joseph Haydn series. The editions imparts Bartók's meticulous approach to fingering, ornamentation, and phrasing, using multiple manuscripts and early prints in addition to his own playing experience, blending historical accuracy with practical performance practices. This Voume I Masters Music publication includes the following seven SONATAS: 1. Sonate in G Major, Hob.XVI:27 (Op. 14, No. 1) [Klaviersonate No. 42]; 2. Sonate in C Major, Hob.XVI:35 (Op. 30, No. 1) [Klaviersonate No. 48]; 3. Sonate in F Major, Hob.XVI:23 (Op. 13, No. 3) [Klaviersonate No. 38]; 4. Sonate in D Major, Hob.XVI:37 (Op. 30, No. 3) [Klaviersonate No. 50]; 5. Sonate in E Major, Hob.XVI:31 [Klaviersonate No. 46]; 6. Sonate in D Major, Hob.XVI:42 (Op. 37, No. 3) [Klaviersonate No. 56]; 7. Sonate in E minor, Hob.XVI:34 [Klaviersonate No. 53]. Two additional volumes are available from LudwigMasters. Reprint edition.

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Additional Details
Series: Master Keyboard Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810446-4
ISBN13: 979-889-810-4467
UPC: 605258768629
SKU: 36-M121191
Instrumentation: Solo Piano

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) shaped the Classical sonata form and keyboard repertoire as fundamentally as any composer in Western music. His 62 keyboard sonatas span decades of stylistic evolution, from galant simplicity to structural sophistication, making them essential study for understanding how the genre developed. Haydn's prolific output and willingness to experiment with form, harmony, and texture established models that Mozart and Beethoven would build upon and transform.

Why we love this

Bartók's editorial hand elevates these sonatas beyond a simple reprint. His fingerings and phrasing suggestions reflect both historical manuscript study and real keyboard experience, giving advanced pianists a foundation that respects Haydn's intentions while remaining playable. This collection provides seven sonatas spanning different keys and characters, offering substantial material for recital programming or solo study without the commitment of purchasing all six volumes.

What to expect

These sonatas balance elegance with genuine substance. Haydn moves fluidly between witty, almost conversational passages and moments of structural weight, never allowing the music to become merely decorative. The variety across the seven works spans from the graceful G major opening through darker minor-key explorations, offering pianists emotional and technical range within a cohesive stylistic world.

Who it's for

Advanced pianists preparing recital repertoire or studying the Classical sonata tradition benefit most from this edition. Teachers seeking authoritative texts with practical performance guidance will appreciate Bartók's scholarship and editorial decisions. Students of music history gain insight into how a major 20th-century composer approached understanding and interpreting an 18th-century master.

How to get the most out of it

  • Attend carefully to Bartók's fingering suggestions, particularly in passage work. His choices often clarify harmonic voice leading and prevent unnecessary hand shifts that interrupt the musical line.
  • Balance clarity with forward motion in faster movements. Haydn's textures are often lighter than later Romantic writing, and overpedaling will muddy the contrapuntal details.
  • Shape the ornamentation according to Bartók's markings. His editions distinguish between written-out embellishments and traditional trills or turns, guiding interpretation toward period-informed practice.
  • Explore the harmonic surprises Haydn plants in development sections and modulations. These sonatas contain unexpected chromatic turns and key shifts that deserve gentle highlighting without exaggeration.

How to use it

Build a recital around two or three of these sonatas, pairing them with works by composers Haydn influenced or inspired. The collection's range of keys and character allows you to shape a program that moves between contrasting moods while maintaining historical continuity. These sonatas also work well as teaching repertoire for intermediate-to-advanced students transitioning from Baroque keyboard writing to Classical forms.

Skills your students will build

  • Reading Baroque and Classical keyboard notation with historical ornamentation symbols
  • Understanding sonata form through exposure to seven different structural approaches
  • Interpreting fingering as a guide to voice leading and harmonic clarity
  • Balancing decorative passagework with underlying structural lines
  • Recognizing and executing period-appropriate phrasing and articulation

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