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Sonatas for Violin and Continuo (New Edition), Vol. 2: Violin & Piano

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Sonatas for Violin and Continuo (New Edition), Vol. 2 Cover Image

Sonatas for Violin and Continuo (New Edition), Vol. 2: Violin & Piano

HWV 288, 358, 368, 370, 371 etc., Cont. Real. for Hpd./Pno., Vc. ad lib., Urtext

By George Frideric Handel / ed. Donald Burrows

Item: 98-EP7316

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 152
ISBN10: 0-57-708700-2
ISBN13: 979-0-5770-8700-9
SKU: 98-EP7316

More about this title

About the Composer: George Frideric Handel

Handel was a master of both instrumental and vocal music whose prolific output shaped the Baroque era. His violin sonatas belong to a tradition he helped define, works that balance technical display with structural clarity, written for musicians who could handle both virtuosity and restraint. These pieces reveal a composer equally comfortable in the Italian concerto grosso idiom and the emerging galant style.

As a practical musician who worked across courts and concert halls, Handel understood what violinists could accomplish. His sonatas demand secure technique but reward players with melodies that sing naturally on the instrument. They remain central to the Baroque violin repertoire because they solve a real pedagogical problem: they bridge elementary studies and more demanding concert works.

Why we love this

These sonatas occupy crucial territory in the violin repertoire. They're substantial enough to represent Baroque mastery in recitals, yet accessible to pre-advanced students who've moved beyond etude books. The Edition Peters edition makes them practical for teaching: clear editing, sensible fingerings, and keyboard reductions that work in real rehearsals.

What to expect

These sonatas breathe with the elegant clarity typical of Handel's instrumental writing. You move through passages of songlike lyricism, sudden rhythmic drive, and moments of genuine technical challenge, all held together by the strong harmonic foundation that characterizes the Baroque at its finest.

Who it's for

Intermediate to advanced high school violinists and college-level music majors building Baroque repertoire. Teachers seeking substantial solo material that develops style sense and idiomatic phrasing without requiring advanced virtuosity.

How to get the most out of it

  • Shape the opening phrases with attention to harmonic rhythm rather than mechanical uniformity. Handel's basso continuo figures often suggest where the weight falls.
  • Balance ornamentation with the underlying melodic line. Many of these sonatas include written-out embellishments that can easily overshadow the basic phrase if you're not disciplined.
  • Negotiate the keyboard part as a true partner. The continuo isn't accompaniment; it's dialogue. Choose a pianist who understands figured bass conventions.

How to use it

Feature these in junior recitals or chamber concerts pairing Baroque sonatas with later works from the same series. They also serve beautifully as the foundation for a"Sonata Across the Centuries" program, where a Handel sonata opens the show and establishes what the form meant in the 18th century.

Skills your students will build

  • Reading figured bass notation and working with continuo accompaniment
  • Baroque articulation, phrasing, and ornamentation style
  • Structural clarity in multi-movement forms (typically fast-slow-fast)
  • Harmonic listening while navigating independent melodic lines
  • Rhythmic precision in varied metric contexts (common time and cut time)
  • Period-appropriate vibrato control and bow distribution

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