Sonata "Sancti Polycarpi": 8 Trumpets, Organ & Timpani Score & Parts

This arrangement honors Biber's original antiphonal concept while solving the practical reality of modern trumpet ensembles. David Marlatt's thoughtful transposition options (B-flat, C, and D) and strategic use of organ cues make this Baroque masterwork genuinely performable, whether you're fielding a section of modern Bb trumpets or showcasing the brilliance of a D trumpet. The requirement for a bass trumpet forces serious conversation about balance and color within your ensemble.

Brilliant and architectural, with waves of fanfare-like writing that seem to echo around the performance space. The interplay between the trumpet choirs creates shimmer and resonance, while the supporting organ (or internal cues) anchors the harmonic language in a rich, ceremonial grandeur. There is ceremonial weight here, matched with crystalline clarity.

Advanced trumpet ensembles with at least eight strong players and access to a bass trumpet or capable baritone saxophonist or bassoonist. This work demands players who can handle Baroque articulation, natural trumpet technique (or its modern equivalent), and the ensemble discipline required for precise, separated antiphonal writing. Conductors programming festivals, competitions, or themed Baroque concerts will find this a substantial, distinctive vehicle for a mature trumpet section.

• Separate the two choirs of trumpets physically in your performance space, just as Biber originally conceived. Antiphonal texture collapses when players stand side by side.
• Treat the timpani as a rhythmic anchor and harmonic reinforcer, not mere percussion decoration. This instrument provides essential support for the harmonic clarity of the natural trumpet writing.
• Choose your bass trumpet player carefully. The baritone or bassoon assigned to this role carries the harmonic foundation; intonation and tone here shape everything above it.
• If performing without organ, trust the cues in Trumpets 3, 4, 7, and 8 to provide harmonic grounding. These aren't optional embellishments; they're structural necessities when the keyboard is absent.

Program this as a centerpiece for a Baroque or sacred music concert, paired with other ceremonial brass works from the period. It also serves as an excellent showcase for a festival or competition where antiphonal effects and clear ensemble articulation are valued. The work's flexibility in key makes it a strong choice for highlighting the unique colors of specialized trumpet types (D trumpet, piccolo trumpet) within a single program.

• Antiphonal ensemble balance and spatial awareness across physically separated sections
• Baroque articulation and phrasing on modern valved instruments
• Harmonic independence and listening (since players must track harmony across separated choirs)
• Ensemble tuning in close intervals without conductor cues for every entrance
• Bass line reading and support (for bass trumpet players)