Sonata No. 6 A Major BWV 1035 Cover Image

Sonata No. 6 A Major BWV 1035: Soprano or Tenor Saxophone & Piano Score & Part

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Sonata No. 6 A Major BWV 1035 Cover Image

Sonata No. 6 A Major BWV 1035: Soprano or Tenor Saxophone & Piano Score & Part

For Soprano or Tenor Saxophone and Piano

By Johann Sebastian Bach / transcr. and ed. Trent Kynaston

Item: 01-ADV7043

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Description
"'Sonata No. 6 A Major BWV 1035" has been transcribed for soprano or tenor saxophone and piano by Trent Kynaston.

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Additional Details
Series: Advance Music: Classics for Saxophone
Publisher: Advance Music
UPC: 805095070439
SKU: 01-ADV7043
Instrumentation: Soprano or Tenor Saxophone & Piano

More about this title

About the Composer: Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) stands as the towering figure of the Baroque era, a composer whose mathematical precision and spiritual depth transformed every genre he touched. His output spans cantatas, passions, concertos, suites, and sonatas across all instrumental combinations available in his time. Bach's music has served as the foundation of Western music education for nearly three centuries, studied intensely by students and performers seeking to understand harmonic language, counterpoint, and the relationship between structure and expression.

Why we love this

This transcription gives saxophonists direct access to one of Bach's most rewarding chamber works without sacrificing the integrity of the original writing. Kynaston's arrangement respects the contrapuntal clarity and elegant phrasing that make this sonata essential Baroque repertoire, while the saxophone's natural warmth brings out the lyrical character of the melodic line in ways that feel both authentic and idiomatic to the instrument.

What to expect

A conversation between two equals: the saxophone's voice moving in graceful, logical lines over a continuo texture that supports rather than overwhelms. The sonata unfolds with the inevitability of Baroque rhetoric, each phrase building on the last with elegant symmetry and moments of harmonic surprise that feel both inevitable and delightful.

Who it's for

Advanced high school saxophonists and college students preparing for competition, solo recitals, or auditions who are ready to engage with substantial Baroque counterpoint. This works equally well for adult amateurs seeking challenging, rewarding repertoire that demands both technical security and musical maturity.

How to get the most out of it

  • Shape phrases with the harpsichord-inspired articulation patterns implicit in the original; use subtle tongue separation to define the architecture rather than constant legato
  • Balance the amount of vibrato to the harmonic density: minimal vibrato in dense contrapuntal passages, slightly more support in sustained melodic lines
  • Coordinate with your pianist on the rhythmic character of the accompaniment; Bach's steady pulse needs flexibility, not rigidity, to breathe naturally
  • Approach dynamic shaping in Baroque terms: terraced levels rather than continuous crescendos, with phrase-ending diminuendos that let the music resolve

How to use it

Feature this as a standalone recital piece or pair it with other Baroque arrangements or transcriptions to build a thematic program exploring how Bach's writing translates across instruments. It also serves as an excellent teaching example of how Baroque chamber music principles apply to the modern saxophone repertoire.

Skills your students will build

  • Baroque phrasing and articulation conventions
  • Counterpoint reading and phrase independence
  • Harpsichord-style rhythmic flexibility with piano accompaniment
  • Sustaining long lines without vibrato excess
  • Terraced dynamics appropriate to Baroque aesthetics

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