Sonata No. 1 in D minor, Op. 28 Cover Image

Sonata No. 1 in D minor, Op. 28: Piano Solo, Unaccompanied, Book

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Sonata No. 1 in D minor, Op. 28 Cover Image

Sonata No. 1 in D minor, Op. 28: Piano Solo, Unaccompanied, Book

By Sergei Rachmaninoff

Item: 36-W713091

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Description
Sergei Rachmaninoff (1873-1943) completed his Piano Sonata No. 1 in D minor, Op. 28, in 1908, and it is the first of three "Dresden pieces," the others being his Symphony No. 2 and part of an opera. Although he eventually abandoned the idea, the sonata was originally inspired by Goethe's play Faust, which has inspired so many works of the 19th and 20th centuries. The premiere took place on October 17, 1908, in Moscow, with Konstantin Igumnov at the piano.

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Additional Details
Series: Well Tempered Press - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-888528-32-6
ISBN13: 979-8-888528-32-7
UPC: 659359916120
SKU: 36-W713091
Instrumentation: Solo Piano

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff stands as one of the last great Romantic composers, bridging the 19th-century tradition with modernist currents. A virtuoso pianist himself, he composed with an intimate understanding of the instrument's capabilities, writing works that demand both technical brilliance and profound interpretive maturity from performers.

Why we love this

This sonata refuses easy categorization. It sprawls across three movements with the architectural ambition of a symphonic work, yet the writing is unmistakably Rachmaninoff, lyrical, darkly introspective, and rewarding for pianists willing to sit with its emotional weight. Programming it signals a concert of substance and depth.

What to expect

The D minor tonality establishes a somber, introspective world from the first measures. Rachmaninoff's writing oscillates between intimate lyricism and moments of architectural grandeur, creating a sonata that feels simultaneously contained and expansive, as if peering inward at vast emotional terrain.

Who it's for

Advanced pianists and students preparing for auditions, competitions, or recital programming at the college level and beyond. This work demands secure technique, mature interpretive sensibility, and comfort with large-scale formal structures.

How to get the most out of it

  • The opening D minor theme needs breathing room; resist the urge to rush through the early exposition. Rachmaninoff's melodic language unfolds deliberately, and hurrying undermines the music's psychological foundation.
  • Attend carefully to dynamic contrasts between sections. The dramatic shifts from introspective passages to virtuosic episodes will land only if you've established clear sonic territories.
  • Balance the sonata's length (typically 25-30 minutes) with stamina. Work the third movement's repeated figures to ensure they remain articulate and energized rather than mechanical.

How to use it

Reserve this for a full solo recital or a program centered on early 20th-century Russian piano literature. Its scale and emotional intensity make it unsuitable as an opener; position it in the program's middle or second half where it can command undivided attention.

Skills your students will build

  • Large-scale formal architecture (three-movement sonata form)
  • Balancing lyrical melody with complex harmonic language
  • Voicing and hand independence in densely chromatic passages
  • Stamina and focus in extended performance contexts
  • Interpretive maturity in navigating shifting emotional landscapes

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