Sonata No. 1 Cover Image

Sonata No. 1: Piano (Solo)

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Sonata No. 1 Cover Image

Sonata No. 1: Piano (Solo)

for Piano

By Richard Crosby

Item: 98-EP68638

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Description

Richard Crosby's Sonata No. 1 for Piano, op. 21 is an eleven-minute work in high Romantic style, composed in three contrasting movements. Commissioned by Sigma Alpha Iota International Music Fraternity for their 2018 Triennial National Convention, the sonata is published through the society's partnership with Edition Peters.



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 16
ISBN10: 0-30-076085-X
ISBN13: 979-0-30-076085-8
SKU: 98-EP68638

More about this title

Why we love this

Crosby's sonata offers pianists a substantial Romantic-era work that demands real musicianship without requiring virtuosic fireworks. The three-movement structure gives students and recitalists a complete, purposeful arc to shape over eleven minutes, and the Edition Peters publication ensures careful editorial preparation.

What to expect

The high Romantic idiom brings lush harmonic color and emotional sweep across three distinct sections. This is music that rewards patient listening and generous interpretation, moving beyond decoration into genuine character study.

Who it's for

Advanced pianists preparing a full recital or looking to expand their Romantic-era repertoire. Students working toward college auditions or who need a substantial solo work with musical depth and professional publication.

How to get the most out of it

  • Study each movement separately before connecting them. The contrasting characters require distinct technical and interpretive approaches.
  • Work the harmonic language carefully. High Romantic idiom often obscures phrase structures that are clear in earlier styles.
  • Balance the weight between hands. Sonata writing expects dialogue, not subordination of one part to another.
  • Track tempo relationships across movements. Even if they differ, establishing clear internal logic strengthens the work's architecture.

How to use it

Program this as a substantial solo work on a full recital, pairing it with other Romantic-era pieces or creating a broader survey of the sonata form. The eleven-minute length fits naturally into competitions or studio recitals where depth of interpretation matters more than quantity of pieces.

Skills your students will build

  • Reading and interpreting high Romantic harmonic language
  • Sustaining musical narrative across a three-movement structure
  • Balance and independence of both hands in complex textures
  • Shaping long-phrase Romantic melody while managing accompaniment patterns

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