Sonata in D, Op. 9, No.3 'Tombeau' for String Orchestra Cover Image

Sonata in D, Op. 9, No.3 'Tombeau' for String Orchestra: String Orchestra, Score and Parts

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Sonata in D, Op. 9, No.3 'Tombeau' for String Orchestra Cover Image

Sonata in D, Op. 9, No.3 'Tombeau' for String Orchestra: String Orchestra, Score and Parts

By Jean Marie Leclair, arr. Conrad Christopher Held

Item: 36-A104602

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Description
Considered the father of the French school of violin playing, Jean Marie Leclair (1697-1764) dedicated his fourth book of violin sonatas, Op. 9 to Princess Anne of Orange of the Netherlands. No. 3 is his most famous work displaying national styles and virtuosity. This version of SONATA in D Major, Op. 9, No. 3 'Tombeau' is orchestrated by Conrad Christopher Held for string orchestra. A count of 8-8-5-5-5 strings is included in the set. Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 612735697747
SKU: 36-A104602
Instrumentation: String Orchestra (8-8-5-5-5 in set)

More about this title

About the Composer: Jean Marie Leclair

Jean Marie Leclair (1697-1764) stands as a foundational figure in violin pedagogy and performance practice. His four books of violin sonatas established technical and musical standards that shaped French violin playing for generations. Op. 9, dedicated to Princess Anne of Orange, represents the height of his compositional craft, blending Italian virtuosity with French elegance and restraint.

Why we love this

This sonata gives string orchestras access to a cornerstone of 18th-century violin literature without requiring a soloist. The orchestration by Conrad Christopher Held preserves Leclair's melodic brilliance while distributing the writing across sections, making it an elegant choice for programs that want to showcase Baroque sophistication at an intermediate level.

What to expect

This is music of refined sentiment and technical grace. The writing sings with the warmth of the Baroque, yet it carries a contemplative quality that justifies the 'Tombeau' designation. Leclair balances ornamental passages with moments of genuine melodic simplicity, creating a work that feels both impressive and intimate.

Who it's for

String orchestras at the intermediate to early advanced level will find this piece both musically rewarding and technically manageable. The 8-8-5-5-5 string setting makes it accessible for most school programs while maintaining the textural richness the music deserves.

How to get the most out of it

  • Shape the phrasing with attention to Baroque articulation conventions; avoid continuous vibrato that blurs the clarity Leclair's writing demands.
  • Balance the first violins against the supporting voices so that the lyrical content emerges without drowning the harmonic foundation.
  • Consider a chamber-like approach to tempo, allowing the music to breathe rather than driving forward relentlessly.
  • Coordinate string crossings cleanly across all sections to maintain the elegance that defines this work.

How to use it

Program this alongside other Baroque string works to build a coherent concert section, or use it as a sophisticated opener that establishes the ensemble's command of style and ensemble balance. Its moderate length and clear structure make it ideal for festivals and competition programs.

Skills your students will build

  • Baroque phrasing and articulation
  • Ensemble balance between first and second violin lines
  • Sustaining tone quality in lyrical passages
  • Coordinating string crossings across multiple sections
  • Understanding 18th-century French musical style

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