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Sonata for Viola and Piano: Viola & Piano

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Sonata for Viola and Piano Cover Image

Sonata for Viola and Piano: Viola & Piano

By Sally Beamish

Item: 98-EP72997

$52.00
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Description

Sally Beamish's Sonata for viola and piano is a 20-minute piece which develops themes from an earlier work, Clara, based on the life of Clara Schumann, by using recurring motifs across all four movements and exploring them in different ways.

It was commissioned by Haddington Music Club and premiered by Gillian Haddow (viola) and Peter Evans (piano) on 30 March 2002 at the Town House, Haddington.

This product (EP 72997) comprises the score and viola part.



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 44
ISBN10: 0-57-702271-7
ISBN13: 979-0-57-702271-0
SKU: 98-EP72997

More about this title

About the Composer: Sally Beamish

Sally Beamish is a Scottish composer whose work spans orchestral, chamber, and vocal music, often drawing on literary and historical sources for inspiration. Her compositions are performed regularly by orchestras and ensembles worldwide, and her writing for strings is particularly praised for its expressive range and structural clarity.

Why we love this

This sonata demonstrates sophisticated thematic development across a substantial four-movement form without becoming unwieldy or abstract. The connection to Beamish's Clara gives the work conceptual depth, yet it stands entirely on its own merits as a rewarding vehicle for violists seeking contemporary repertoire that balances technical interest with emotional substance.

What to expect

The work unfolds with the architectural control of a classical sonata, yet its harmonic language and emotional palette are unmistakably contemporary. Each movement explores its thematic material from different angles, creating a sense of discovery rather than mere repetition.

Who it's for

This sonata suits advanced violists preparing for recitals, chamber music performances, or auditions who want substantial contemporary repertoire. It also appeals to pianists seeking rewarding duet literature that engages both performers equally.

How to get the most out of it

  • Shape the recurring motifs clearly so audiences can follow their transformations across movements; this structural thread becomes the piece's emotional anchor.
  • Balance the viola line with the piano partnership. The writing often gives the piano important harmonic and melodic material that should emerge naturally rather than dominate.
  • Attend to Beamish's dynamic and articulation markings with care; they define character shifts between movements and within developmental passages.
  • Allow time for rehearsal of the four-movement arc as a complete work rather than isolated sections, since the thematic connections require integrated interpretation.

How to use it

Program this alongside 20th-century sonatas by Hindemith or Piston to demonstrate continuity of the form, or pair it with other chamber works that explore single themes across multiple movements. At 20 minutes, it can anchor a recital program or serve as a substantial contemporary anchor in a chamber music festival.

Skills your students will build

  • Tracking and interpreting thematic development across multiple movements
  • Balancing melody and accompaniment in a duet context with equal partnership
  • Interpreting contemporary harmonic language and articulation within classical form
  • Sustaining musical narrative across an extended single work

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