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Sonata: String Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

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Sonata: String Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

By Dan Foliart, ed./arr. by Daniel Nightingale

Item: 36-A673601

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Description
SONATA FOR STRING ORCHESTRA by Dan Foliart (b. 1951), composed in 1987, reflects the composer's breadth beyond his better known film and television work into concert and orchestral writing. Foliart, primarily celebrated for his themes and underscoring for television shows, has nonetheless contributed serious instrumental music to the repertoire, and this SONATA exemplifies his ability to write for traditional ensembles. Today the SONATA stands as a modest but valuable example of contemporary string-orchestra writing, bridging the composer's media background with concert-hall aspirations — a piece worth exploring for its melodic clarity, straightforward structure, and suitability for ensembles seeking modern yet approachable works. A string count of 8.8.5.5.5 included in the set. Edited by Daniel Nightingale.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810606-8
ISBN13: 979-889-810-6065
UPC: 605258873194
SKU: 36-A673601
Instrumentation: String Orchestra (8.8.5.5.5 in set)

More about this title

About the Composer: Dan Foliart

Dan Foliart (b. 1951) built his career writing thematic material and underscoring for television, work that demanded clarity, directness, and the ability to serve narrative without overshadowing it. That discipline informs his concert writing as well. The Sonata for String Orchestra demonstrates his command of traditional forms and his gift for melodic invention, revealing a composer equally comfortable in the concert hall as behind the screen.

Foliart's dual career reflects a broader truth about 20th-century American composers: the boundary between media and concert music is permeable, and technical skill developed in one sphere strengthens work in another. The Sonata stands as evidence of that principle.

Why we love this

This score arrives refreshingly unadorned. Foliart writes for strings without artifice or excessive modernist gesture; the melodies breathe, the harmonic language sits comfortably in the ear, and the architecture is clear enough that young musicians grasp form without needing a lecture. A conductor can program it without apology and students will discover that contemporary doesn't mean opaque.

What to expect

The Sonata occupies a musical world of clean lines and unforced lyricism. It moves forward with purpose, avoiding both archaic nostalgia and abstract complexity, offering instead the directness and genuine melody that mark Foliart's television work translated into concert-hall language.

Who it's for

String orchestras at the intermediate to advanced level looking for accessible contemporary repertoire that doesn't compromise musical substance. This conductor score suits ensembles ready to move beyond standard Baroque and Classical repertoire but seeking works with immediate melodic appeal and clear formal logic.

How to get the most out of it

  • Balance the string sections carefully during tutti passages, especially when inner voices carry subsidiary melodic material; the writing favors transparency over density.
  • Bring out the principal melodic line with gentle projection rather than excessive vibrato; the clarity of the writing rewards a leaner, more classical approach to tone.
  • Shape phrases with attention to harmonic rhythm; Foliart's structures are straightforward, and allowing them to breathe naturally will prevent the piece from sounding dutiful.

How to use it

Program this as a centerpiece for a concert devoted to mid-20th-century American string writing, where it complements works by Barber, Mennin, or Persichetti. It also serves well as an opener or closer for an all-strings concert, anchoring a program of shorter or more experimental pieces with something both modern and grounded.

Skills your students will build

  • Reading and executing clear sonata form structures
  • Balancing inner voices and subsidiary melodies in four-part string texture
  • Sustaining long phrases with architectural awareness
  • Responding to conducting gestures that shape harmonic rhythm and melodic direction

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