Somewhere Out There (from An American Tail) (arr. Roger Emerson): 3-Part Mixed Choral Octavo
Somewhere Out There (from An American Tail) (arr. Roger Emerson) Sheet Music Preview

Somewhere Out There (from An American Tail) (arr. Roger Emerson): 3-Part Mixed Choral Octavo

As performed by Linda Ronstadt James Ingram / Arranged by Roger Emerson

Item: 35-DS00454271
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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00454271

More about this title

About the Artist: Linda Ronstadt James Ingram

Linda Ronstadt emerged as one of the most versatile vocalists of her generation, commanding both rock and pop idioms with remarkable control and emotional depth. Her collaborative work with James Ingram, a session and recording artist known for his smooth, soulful delivery, produced this enduring duet that has captivated audiences across decades.

The pairing of Ronstadt's crystalline alto with Ingram's warm tenor created a signature sound that resonates particularly well in educational settings. Their interpretation of this Oscar-nominated ballad established it as a touchstone for choral arrangers seeking material that balances accessibility with genuine emotional substance.

Why we love this

Roger Emerson's 3-part voicing honors the intimate duet quality of the original while making it genuinely singable for developing choirs. The arrangement captures the yearning, almost magical quality of this animated film classic without requiring the technical demands that often accompany pop repertoire at this level.

What to expect

The piece carries the quiet magic of animation itself: hopeful, yearning, and touched by wonder. The harmonic warmth and gentle contours evoke nighttime skies and the impossible possibility of connection across distance.

Who it's for

This arrangement works beautifully for mixed choirs navigating the transition from simpler repertoire to more sophisticated pop and film material. Students gain experience with sustained singing and emotional storytelling without navigating complex rhythms or extreme ranges.

How to get the most out of it

  • Shape the melody with legit portamento between phrases rather than hard attacks; this piece breathes best when the line feels continuous and searching
  • Balance the parts so the melody remains clear, but resist the impulse to oversing it. The magic lives in restraint and vulnerability
  • Treat the sustained notes as expressive moments. Let the choir find dynamic shape within longer values rather than holding them static
  • Check intonation carefully during the harmonic passages; the sweetness of the arrangement depends on precise tuning in the supporting voices

How to use it

Consider pairing this with other film-based selections for a thematic concert, or use it as a mood piece to close a program on an introspective note. The seven-page length makes it manageable for mid-season programming when your ensemble has developed sufficient blend and control.

Skills your students will build

  • Sustaining legit tone quality across extended phrases
  • Balancing part independence with ensemble blend
  • Interpreting rubato and flexible phrasing in popular song
  • Tuning seventh chords and other extended harmonies
  • Conveying emotional intent through dynamic control and restraint

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