Somewhere (from West Side Story) (arr. Robert Edgerton) Sheet Music Preview

Somewhere (from West Side Story) (arr. Robert Edgerton): SATB Choral Octavo

Arranged by Robert Edgerton

Item: 35-DS00515509

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00515509

More about this title

About the Arranger: Robert Edgerton

Robert Edgerton is a prolific arranger whose work spans concert music, film scores, and choral literature. His arrangements for voices have become staples in high school and college choirs, known for their accessibility without sacrificing musical substance.

Why we love this

Edgerton captures the yearning intimacy of Bernstein's masterpiece while keeping the harmonic language singable and the ranges comfortable for standard high school SATB forces. The arrangement respects the original's emotional core, allowing your choir to perform a beloved standard with genuine musicality rather than simplification.

What to expect

A moment of quiet hope in the midst of conflict. The music cradles vulnerability without sentimentality, drawing listeners into a private space where two people dream of a better world. There's a aching beauty here that resonates across decades.

Who it's for

Any SATB choir seeking a culturally significant Broadway standard that challenges singers to connect emotionally while remaining within accessible ranges. This works equally well for concert programming, pops nights, or curricular study of musical theater.

How to get the most out of it

  • Shape the opening phrases with restraint. The beauty lives in simplicity, so resist the urge to over-phrase early on. Let the text breathe.
  • Balance the soprano melody against the supporting parts. This isn't a feature for one voice. The inner voices carry harmonic weight that colors the entire arc.
  • Attend to the vowel consistency across the ensemble, especially during the sustained passages. A unified, warm tone sells the romantic vulnerability.
  • Work the text as a living thing. Bernstein paired these lyrics with music that demands sincere expression, not mere technical accuracy.

How to use it

Pair this with other West Side Story selections or broader Broadway programming, or stand it alone as a concert centerpiece where its emotional weight deserves full attention. It also works as a bridge between jazz or pop concerts and more classical repertoire, introducing students to Bernstein's sophisticated harmonic language.

Skills your students will build

  • Singing lyrical lines with intentional phrasing and text expression
  • Balancing melody and accompaniment across four voice parts
  • Sustaining long tones with consistent vowel production
  • Interpreting Broadway music with musical theater style and sensitivity
  • Understanding harmonic function in twentieth-century popular song

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