Something Wild (arr. Ed Lojeski): SAB Choral Octavo

Ed Lojeski's arrangement captures the infectious energy of Stirling's original without sacrificing the melodic hooks that make the song memorable. The SAB voicing sits comfortably for mixed ensembles while maintaining accessibility, and the pop sensibility gives your choir a modern piece that genuinely engages singers and audiences alike.

Propulsive and vibrant, with a modern energy that never feels precious or overly produced. The arrangement maintains the driving momentum of the original while letting voices shine through the texture.

Choirs looking for contemporary repertoire that appeals to singers and audiences without compromising musicianship. This works particularly well for groups exploring pop and crossover styles, or programs seeking a secular piece with immediate impact.

• Keep the rhythmic drive propulsive without rushing. The groove needs to sit slightly ahead of the beat to match the track's kinetic feel.
• Balance the alto and soprano lines carefully during the hook sections. Neither should disappear, but the soprano should have just enough presence to carry the ear.
• Treat the dynamic shape as a storytelling tool. Build from the verse into each chorus rather than settling into one dynamic level for the entire section.
• Layer the parts cleanly in rehearsal before adding tempo. Once intonation is solid, the arrangement's pop sensibility will snap into focus.

Consider this as a strong closing number for a pop or contemporary music concert, where its brightness and forward motion leave the audience energized. It also fits naturally into a program celebrating genre diversity or featuring music by contemporary artists.

• Singing contemporary pop material with rhythmic precision and groove
• Balancing three-part SAB voicing with distinct melodic lines
• Maintaining energy and phrase shape in uptempo material
• Interpreting modern arrangements that blend classical choral technique with pop sensibilities