Something Just Like This (arr. Stefan Flügel) Sheet Music Preview

Something Just Like This (arr. Stefan Flügel): TTBarBB Choral Octavo

As performed by The Chainsmokers Coldplay / Arranged by Stefan Flügel

Item: 35-DS00489479

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Additional Details
Publisher: Hal Leonard
Page Count: 17
SKU: 35-DS00489479

More about this title

About the Artist: The Chainsmokers Coldplay

The Chainsmokers burst onto the electronic pop scene in the mid-2010s with a formula that merged dance production with radio-friendly hooks, while Coldplay built their reputation as masters of anthemic alternative rock with philosophical lyrics and sweeping arrangements. When these artists collaborated on "Something Just Like This," they created a crossover moment that appealed equally to pop radio listeners and alternative music fans. The song's accessibility and emotional directness have made it a natural choice for arrangements across different vocal configurations.

Why we love this

Stefan Flügel's arrangement captures the song's contemporary pop sensibility while giving each voice part genuine musical substance; this isn't a reduction that leaves anyone singing filler. The TTBarBB voicing allows flexibility in how you balance and blend voices, and the 17-page score suggests an arrangement that respects the song's memorable melody without oversimplifying it.

What to expect

Contemporary pop arranged for voices feels both familiar and fresh, with a production-aware sensibility that reflects how modern songwriting balances hooks with harmonic interest. There's an immediacy to the song that makes it feel present and emotionally direct, even as the arrangement explores what multiple voices can do with the material.

Who it's for

Choirs looking to program contemporary music that appeals to singers and audiences alike, especially those with mixed or all-male configurations. Directors seeking repertoire that balances musical substance with immediate accessibility.

How to get the most out of it

  • Pay close attention to rhythmic precision in the opening sections. Pop arrangements depend on crisp attacks and releases to create the tight, produced sound that defines the original.
  • Layer your voice parts gradually across the arrangement rather than throwing everything in at once. Build texture section by section so the full harmonic picture emerges naturally.
  • Maintain forward motion through the verse sections even at moderate tempos. Pop phrasing requires energy and lift, not a drag.

How to use it

Position this in a concert that mixes classical or jazz standards with accessible pop music, where it serves as a bridge between musical worlds. Its recognizability makes it an excellent opener or closer for community concerts where you want to establish connection with a broad audience.

Skills your students will build

  • Balancing pop phrasing against the demands of ensemble blend
  • Part independence within mixed voicing configurations
  • Interpreting contemporary arrangements written for recorded music
  • Sustaining energy and forward motion at moderate tempos

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