Something Just Like This (arr. Mark Brymer) Sheet Music Preview

Something Just Like This (arr. Mark Brymer): SATB Choral Octavo

As performed by The Chainsmokers Coldplay / As performed by Chris Martin / As performed by Guy Berryman / As performed by Will Champion / As performed by Jonny Buckland / As performed by Andrew Taggart / Arranged by Mark Brymer

Item: 35-DS00396771

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00396771

More about this title

About the Artist: The Chainsmokers Coldplay

The Chainsmokers emerged in the 2010s as electronic dance music producers who pivoted toward pop songwriting, finding massive commercial success with radio-friendly anthems. Coldplay, formed in the late 1990s, built their reputation on melodic alternative rock that bridges stadium anthems and intimate ballads, with frontman Chris Martin's distinctive vocal delivery becoming central to their identity. "Something Just Like This" represents a collaboration between these two acts, blending electronic production sensibilities with rock instrumentation and accessible melodic writing.

Why we love this

Brymer's arrangement captures the infectious energy of the original without sacrificing the emotional core that made this song resonate with listeners across age groups. The voicing sits comfortably in a standard SATB range while preserving the melodic hooks that audiences recognize instantly, making it an ideal selection for choirs seeking contemporary material with genuine staying power.

What to expect

Soaring and introspective by turns, the song builds from gentle vulnerability into assured celebration. The arrangement channels the original's electronic warmth while grounding everything in vocal harmony, creating a sound that feels both immediate and layered.

Who it's for

Choirs seeking contemporary repertoire that connects with modern audiences while maintaining musical substance. This works well for groups comfortable with pop idioms and looking to program material that speaks to younger singers and their families.

How to get the most out of it

  • Keep the harmonic rhythm elastic through the verses; resist locking into a rigid grid, which will drain the song's conversational quality.
  • Let soloists emerge naturally from the section parts during the pre-chorus, creating a sense of intimacy before the full choir enters.
  • Balance the synthesizer-inspired sonorities in the arrangement by allowing upper voices to cut through without sacrificing blend in the lower voices.

How to use it

Position this alongside other accessible pop collaborations in a pop or contemporary concert, or use it as a bridge piece in a longer program to shift tone and energy. The universally known melody makes it particularly effective for audience engagement in variety concerts or end-of-year celebrations.

Skills your students will build

  • Singing contemporary pop idioms with stylistic accuracy
  • Balancing solo lines and background harmony parts
  • Shaping phrase contours in electronic and rock contexts
  • Collaborative ensemble listening across SATB ranges

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