Something Just Like This (arr. Hans Reintjes): SAB Choral Octavo
Something Just Like This (arr. Hans Reintjes) Sheet Music Preview

Something Just Like This (arr. Hans Reintjes): SAB Choral Octavo

As performed by The Chainsmokers Coldplay / Arranged by Hans Reintjes

Item: 35-DS00489471
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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 138
SKU: 35-DS00489471

More about this title

About the Artist: The Chainsmokers Coldplay

The Chainsmokers rose to prominence in the mid-2010s with their blend of electronic production and pop sensibility, earning Grammy nominations and multiple platinum certifications. Coldplay, the British rock band fronted by Chris Martin, has spent two decades crafting anthemic melodies and emotionally resonant lyrics that connect across generations. Their 2017 collaboration on "Something Just Like This" brought together two distinct musical worlds, creating a track that balances electronic texture with organic vocal warmth.

Why we love this

Hans Reintjes has crafted an SAB arrangement that preserves the song's infectious hook and emotional core while making it genuinely singable for mixed choirs. The voicing sits comfortably across all three parts, avoiding the common pitfall of pushing sopranos into uncomfortable territory on contemporary pop. This is the kind of modern standard that singers actually want to perform, and audiences recognize immediately.

What to expect

"Something Just Like This" carries a bittersweet hopefulness, balancing vulnerability with confidence. The arrangement lets that emotional truth shine through without oversimplifying or over-sweetening the material.

Who it's for

Choirs seeking contemporary repertoire that challenges stereotypes about pop arrangements will find this rewarding. It works equally well for high school ensembles exploring modern songwriting and adult choirs wanting to engage audiences with material they actually know.

How to get the most out of it

  • Balance the rhythmic precision of the electronic production elements (present in your backing track) with the organic phrasing of the vocal melody. Don't let the beat overshadow the legit emotional content.
  • Keep the alto and tenor lines connected to the overall harmonic shape rather than treating them as secondary accompaniment. These middle voices carry real musical purpose.
  • Shape the dynamic arc across the full arrangement so that moments of repose don't collapse into inertia. This track needs momentum even at its quietest points.

How to use it

Consider pairing this with other contemporary pop arrangements to build a concert segment that speaks to younger audience members without sacrificing musical integrity. It also serves as an excellent gateway piece for students intimidated by classical choral traditions, opening doors to more adventurous repertoire choices.

Skills your students will build

  • Singing contemporary pop harmony without sacrificing vocal technique
  • Balancing rhythmic precision against legit melodic phrasing
  • Maintaining harmonic independence in three-part mixed voicing
  • Engaging with modern song structure and production aesthetics

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