Something Just Like This (arr. Hans Reintjes): SATB Choral Octavo

Hans Reintjes has crafted an arrangement that preserves the song's contemporary appeal while giving singers something vocally satisfying to perform. The piece honors both artists' sensibilities without leaning too heavily into either producer-heavy electronic territory or guitar-driven rock arrangements. Your singers will connect with music they already know and love, which translates to genuine engagement and natural musicianship in rehearsal.

The piece carries an introspective quality even in its driving sections, blending the melancholic reflection Coldplay perfected with the propulsive energy The Chainsmokers brought to pop production. Singers move through moments of restraint and sudden expansiveness, experiencing the arc of a song designed for both intimate verses and anthemic choruses.

Choirs looking to program contemporary music that resonates with singers and audiences alike will find this a strong choice. The SATB voicing keeps the piece accessible while the arranger's craftsmanship ensures musical substance. Secondary through adult choirs gain a modern selection that doesn't sacrifice vocal writing for trendy appeal.

• Balance the vulnerability in the verse sections by keeping dynamic contrasts subtle; let the arrangement's harmonic movement carry the emotional weight rather than forcing oversized interpretive choices.
• Treat the electronic elements suggested through the vocal writing as texture rather than imitation. The syllabic passages work best when approached with conversational naturalness rather than metronomic precision.
• Shape phrase endings thoughtfully so the piece breathes between sections. With 138 pages of material, strategic releases prevent listener fatigue and maintain forward momentum.
• Lock the rhythm section (basses and altos, particularly) on syncopated rhythmic figures to anchor what might otherwise feel floating or indefinite.

Place this alongside other contemporary pop arrangements in a spring or winter concert to attract family members who might not otherwise attend. It also works effectively as a concert opener or closer, where its accessible yet sophisticated approach sets the tone for a program balancing established repertoire with current musical culture.

• Interpreting contemporary harmonic language and jazz-influenced chord extensions
• Maintaining rhythmic precision in syncopated ensemble passages
• Connecting emotionally to text and melody in popular song contexts
• Balancing sustained vocal control with rhythmic articulation in contrast
• Reading and performing non-traditional notation or syllabic writing that suggests electronic production